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Shpanov Nikolai Nikolaevich. Nikolai Nikolaevich Shpanov Nikolai Nikolaevich Shpanov

Shpanov Nikolai Nikolaevich (1896-1961). Writer, screenwriter. Born in Nikolsko-Ussuriysk in the Far East in the family of a railway worker. He graduated from two courses at the Polytechnic Institute and the Higher Aeronautical School in Leningrad. He began publishing in 1926. He was the editor of the magazines “Bulletin of the Air Fleet”, “Airplane”, etc. Member of the Union of Soviet Writers since 1939. Nikolai Shpanov is the author of over thirty books, of which the most famous were “First Strike”, “Arsonists” , “War of the Invisibles”, etc.

Shpanov’s work “The First Strike. The Tale of a Future War,” published just before the war, in the summer of 1939, was advertised as “Soviet military science fiction.” But it was not intended for children. The book was published by the Military Publishing House of the People's Commissariat of Defense, and not just any other way, but in the educational series “Commander's Library”. The book was intended to popularize our military aviation doctrine.

A.S. Yakovlev wrote: “More than one commander later recalled with bitterness the unkind “fiction” that, unfortunately, permeated our propaganda before the war, which sowed the illusion that the war, if it happened, would be won quickly, with little bloodshed and on enemy territory. "(Yakovlev A.S. The purpose of life. M., 1974. P. 237).

According to Shpanov, the war could have started like this:

“...Everyone, everyone, everyone! Today, August 18, at seventeen o'clock, large formations of German aviation flew over the Soviet border. The enemy was met by units of our air forces. After a stubborn battle, the enemy planes turned back, pursued by our pilots...”

“17.00 - German planes crossed the border of the USSR.

One minute later - at 17.01 - an air battle.

After 29 minutes, the last enemy plane leaves the USSR.

After another four minutes, Soviet fighters break through the enemy’s guards and enter his location, suppress enemy air defense aircraft and clear the way for bombers and attack aircraft.

17.45-19.00 - a German staff officer records the complete failure of the strike prepared by fascist aviation. “The Bolsheviks met us at the very border... We were met by fighter escort units at a depth of two to four kilometers... When we approached the border, they were already in the air and waiting for us... Not a single large formation of bombers sent to block Bolshevik airfields, did not achieve the goal..."

Then the Soviet aviation formation described by Shpanov begins to carry out a combat mission - launching a counterattack.

“19.00 - assault units take off to attack enemy airfields.

19.20 - 720 high-speed long-range bombers and reconnaissance aircraft take off. The goal is to bomb the industrial area of ​​Furth-Nuremberg, where important aircraft, chemical and other military plants are concentrated.

21.00-22.30. Despite the fact that Soviet air columns have already moved more than a thousand kilometers from their border, they are meeting almost no resistance. Soviet pilots conduct air battles, as a result of which the Germans lose 55 percent of Messerschmitt fighters, 45 percent of Arado-Udet fighters and 96.5 percent of Henschel bombers shot down or damaged.

24.00-02.00. Soviet bombers destroy the target. The lights are turned off at the Dornier aircraft plant. German workers eagerly await the moment when bombs are dropped on the plant in which they are located, singing “Internationale.” Our planes methodically drop bombs on targets with amazing accuracy. Bombs thrown on the buildings of the Farbenindustry chemical plant in Bamberg set warehouses on fire. A giant gas holder with toxic substances bursts. Blistering, tear, and asphyxiating gases: mustard gas, lewisite, phosgene - spread along the banks of the Main. Explosive factories fly into the air .

03.00. August 19. The head of the Soviet Air Force reports to the commander-in-chief: “Soviet aviation, protecting the Red Army from attacks by German aviation, facilitated the advance of the Red Army across the border... The military-industrial facilities of Fürth-Nuremberg were basically destroyed...”

Book materials used: Torchinov V.A., Leontyuk A.M. Around Stalin. Historical and biographical reference book. St. Petersburg, 2000

Pseudonym K. Kraspink.
Biobibliographical dictionary: Shpanov Nikolai Nikolaevich - prose writer.
Son of a railway employee; according to oral testimony of a friend of Sh.A. D. Morozov, he came from the Baltic family of von Schpanoff, whose descendants, due to poverty, were forced in the second half of the 19th century. move from the family nest in Estland to the Far East, newly annexed to Russia. After graduating from the classical gymnasium, Sh. entered the shipbuilding department of the St. Petersburg Polytechnic Institute, from where, in connection with the outbreak of the First World War, he transferred to the Military Engineering School. In 1916 he graduated from the Higher Officers' Aeronautical School and took part in battles. In 1918 he voluntarily joined the Red Army, where he served in the middle command of the Air Force for about 20 years. Since 1939 he devoted himself entirely to literature. labor.
Since 1925, Sh. regularly published in the publications of Dobrolet and Osoviakhim, promoting aviation as the most effective means of strengthening the country’s defense capability (“What the Air Promises Us,” 1925; “Peaceful Use of the Air Fleet and the Air Fleet in the Civil War,” 1928, “The Airship in War” ", 1930, etc.). Sh. wrote a number of brochures and books (“Airplane as a means of communication,” 1925; Water all-terrain vehicles: What is a glider and why is it needed. 1927; 2nd edition: M., 1928; Soviet snowmobiles: What is an aerosleigh and why they are needed. M., 1927; 2nd edition: M., 1928; The heart of the aircraft: How an aircraft engine works and is designed. M., 1927, etc.), which played a significant role in the mass enthusiasm for aviation in the 1920s. Of particular note is the series of teaching aids created by Sh., written so simply and captivatingly that with their help, a person previously unfamiliar with technology could repair aircraft engines by the end of the eight-month training cycle. Peru Sh. owns the textbook for flight schools “Fundamentals of Air Communications” (1930), as well as the one he wrote together with M.A. Dzigan’s work “Soviet Aviation Engines” (1931).
Since 1927, Sh. has been regularly published in the World Pathfinder and in the Peasant Gazette, speaking with stories for youth and travel essays. He participated in a propaganda airship flight to the Far East organized by Osoaviakhim (“Our flight into the forest wilds,” 1926) [in fact, it was a balloon flight organized by Aviakhim from Moscow to the “forest wilds” of Komi, and a revised version of the book “Our flight into forest wilds" is called "Red Stone" - (Maxim Bezgodov)] and Avtodor campaign for a motor rally to the same region (“Across automobile Trans-Eurasia: By car along the Ussuri off-road”, 1930). In 1929-32, Sh.'s work was dominated by the Arctic theme - he participated in the Krasina campaign, visited the islands of Novaya Zemlya and Kolguev (Polar expedition Krasina, 1929; Into the ice beyond Italy, 1929; Into the country eternal ice", 1930, "Feat in the Ice", 1930; "The End of the Earth", 1930; 2nd edition 1929). From travel essays, Sh. moved on to fiction, publishing two collections. the stories “Mysteries of the Arctic” (1930), “Arctic foxes” (1931) and the story “Ice and Tailcoats” (1932). Work on a book about aviators led Sh. to study the history of inventions in the field of engine building, as a result of which in 1934-36 he published several books on this topic: “The Birth of the Motor” (1934; 2nd edition 1936), the novel “Four Stroke " (1935), the story "The Story of a Great Loser" (1936) and the fictionalized biography "James Watt" (1936). Using the example of the destinies of J. Lenoir, D. Papin and J. Watt, Sh. tried to show the tragic nature of the relationship between the inventor and society; Subsequently, Sh. returned to the plot of the theft of the invention more than once in his adventure novels.
Sh. gained national fame thanks to the story “The First Strike” (1939), which tells how, in the event of aggression, Soviet aviation will immediately hit the enemy in his lair. Published in both the "Commander's Library" and the "Schoolchild's Library" in huge editions, Sh.'s story (which had the subtitle "The Tale of a Future War") and the film of the same name created on its basis [the film was called "Deep Raid" - (Maxim Bezgodov)] served as an illustration of official military doctrine. During the war, Sh. published a biographical essay “Major Koshevoy” (1941), as well as a biographical story about the hero pilot N.F. Gastello “The Boy from Polesie” (1942) and collection. stories “Warm Heart” (1942). Satisfying the need that arose during the war for propaganda literature with an exciting adventurous plot, Sh. created “The Secret of Professor Burago” (Issues 1-6. 1943-44), which presented traditional characters for Sh.: a brilliant inventor, insidious spies, shrewd counterintelligence officers, careless bosses and vigilant ordinary Soviet people. The novel enjoyed extraordinary reader success (republished: Abakan, 1945).
During the war years, Sh. began work on the novel “Arsonists” (1949), where the Second World War was presented as the result of a conspiracy between American imperialists and German fascists. The continuation of “Arsonists” was the novel “Conspirators” (1951), dedicated to the interpretation of post-war events in the same vein. Both novels went through a number of reprints. The thematic novelty of the novels, their versatility, entertaining plot, as well as the extensive citation of top secret documents, unusual for the Soviet reader, ensured Sh.’s novels for several years stable reader success, which was facilitated by Sh. himself, who made additions and corrections to the reissues in accordance with the requirements of the moment . The diversity of storylines was subordinated to purely didactic purposes: with the same clarity and thoroughness that previously distinguished his manuals on self-repairing aircraft engines, Sh. showed the technology of unleashing a new world war by imperialist predators with the help of traitors from the socialist camp. The negative characters are drawn by Sh. with more care than the communists and peace fighters, who are quite monotonous in their virtues. Complementing the artistic In relation to official propaganda, both of Sh.’s novels went through several dozen reprints in a short period of time, bringing significant profits not only to the author, but also to many regional publishing houses, because in conditions of a shortage of adventure literature, readers were inclined to see in the novels not so much an ideological, but rather an adventurous component. Despite the fact that all the documents quoted by Sh. were composed by himself (such as the receipt of I. Tito for receiving money from the CIA), not only in the reading community, but also in the writing community, the impression was formed of Sh. as an unusually knowledgeable person , to whom the most important state secrets were supposedly entrusted... After 1954, Sh.’s novels were not republished, and “The Conspirators,” which had a special anti-Tito orientation, were subject to removal from libraries and the bookselling network, as well as Sh.’s pamphlet “Diplomats” of the Cloak and dagger" (1952), containing essays about similar political trials organized by the Soviet state security in socialist countries at the turn of the 1940s and 50s on charges of Cardinal Midsenti, T. Kostov, L. Raik, R. Slansky and others in collaboration with American "arsonists war" and their henchmen from the ranks of "world Zionism". Despite the complete absence of actual lit. merits, both novels by Sh. until the mid-1960s, they enjoyed steady recognition among the lower strata of readers and largely influenced the formation of specific conspiracy theories of worldview among post-war Soviet people. There is no doubt that Sh. influenced the work of A.V. Ardomatsky, A.B. Chakovsky and Yu.S. Semenov.
Despite its importance in lit. hierarchy of the early 1950s, Sh. took almost no part in literary and social life. The descendant of the Baltic knights tried to stay as far as possible from both power and literature. environment; creating “great works that truthfully reflect our great era” (A. Dymshits), he saw in this, first of all, the feasible fulfillment of his duty to the Soviet Empire, and not just a means of earning money, and with the beginning of the “thaw” he found himself in complete lit. isolation, although he was in the prime of his strength and did not need funds. Sh.'s books on political topics after the 20th Congress of the CPSU seemed so odious that Sh. was forced to again turn to pseudo-detective stories about catching spies. Despite the fact that Sh. was never the object of any ideological elaboration and was extremely correct in personal and business relationships, lit. his reputation was such that in the mid-1950s only Trudrezervizdat and Military Publishing House agreed to print new books by Sh. The first saw the release of several books for young people; by order of the latter for the “Library of Military Adventures,” Sh. wrote “The Adventures of Nil Kruchinin” (1955; 1956) and “The Sorcerer’s Apprentice” (1956); the last story, replete with references to the Criminal and Criminal Procedure Codes, provoked a bewildered remark from the reader-lawyer: “All detective turns ultimately come down to the capture and exposure of Kvep ‹...›, who executed hundreds of Soviet citizens, raped women, led espionage -sabotage activities against the USSR, committed several murders on the territory of the USSR, prepared an explosion and the death of 25 thousand children and... escaped execution and miraculously survived. This no longer fits into any gates” (Voitinsky S. Without knowledge of the matter // Komsomolskaya Pravda. 1957. No. 235 (1947). October 3. S. A). Detgiz published the story “The Messenger Jin Feng” (1955) - about a Chinese girl intelligence officer courageously fighting against the Kuomintang. A significantly revised reissue of “The Secret of Professor Bury” entitled “The War of the Invisibles” (1958), which instantly sold 225,000 copies, caused perplexed responses in the press, which turned into persecution of Sh. himself (Belkin A. Where is the writer N. Shpanov going // Komsomolskaya truth. 1959. No. 68 (10393). 21 morgue S.2).
The last years of the life of the seriously ill S. lived in the Esberg farm of the Rakvere district of the Estonian SSR, working on the final part of the trilogy, dedicated to modern times, begun by “Arsonists” and “Conspirators”. The publication of “Hurricane” (1961) went unnoticed, just as the death of Sh. himself went unnoticed; not a single person came to his funeral except the Literary Fund official responsible for the ceremony (Kacher L.N., Belyaeva L.I. Special funeral at midnight: Notes of the “sad deeds of the master.” M., 1991. P. 10) ...
Encyclopedia of Fiction: Rus. owls prose writer, journalist, also famous producer. other genres. Genus. in the village Nikolsko-Ussuriysk (now Primorsky Krai), studied at the Petrograd (now St. Petersburg) Polytechnic. institute, graduated from the Military Engineering School and the Higher Officers' Aeronautical School in Petrograd; participant in the First World War, in 1918 he joined the Red Army, in which he served until 1939; after demobilization he worked as an editor. several magazine - “Bulletin of the Air Fleet”, “Airplane”, etc. Began publishing in 1925; since 1939 - prof. writer.
The first SF works by Sh. - “The Mysterious Explosion”, “Note to Anke”, etc. - publ. all R. 1920s, but the writer became notorious because he was elevated to the top by official propaganda and reprinted many times. a novel about war in the near future - “The First Strike” (1936); together with similar products. S. Belyaev, V. Kurochkina, P. Pavlenko, the novel served as an artist. support for Stalin’s thesis about war “with little bloodshed and on foreign territory.” Sh. was also known in his time for his popular science fiction and detective novels about the struggle of owls. scientists and intelligence officers against fascism - “The Mystery of Professor Burago” (abbr. 1942-44) and “War of the Invisibles” (1944 - publication not completed); in strongly abbreviated form included in the novel “War of the Invisibles” (1958); as well as propaganda “anti-Amer.” science fiction the novel-pamphlet “Hurricane” (1961), created according to the recipes of the Cold War.

NIKOLAI NIKOLAEVICH SHPANOV

Son of a railway employee. Graduated from a classical gymnasium. He entered the shipbuilding faculty of the Petrograd Polytechnic Institute, but studied only two courses. In 1916 he graduated from the Military Engineering School and the Higher Officers' Aeronautical School. He fought on the fronts of the First World War, and in 1918 he volunteered for the Red Army. He devoted almost a quarter of a century to the country's air force. He headed the magazines “Bulletin of the Air Fleet” and “Airplane”.

In 1925, the first science fiction story, Nick, appeared in the World Pathfinder magazine. Shpanova - “Mysterious Explosion”. In 1926, the first book of essays, “Our Flight into the Forest Wilds,” was published about the adventures of the Aviakhim USSR balloon during aeronautical competitions. “Shpanov was tall...” recalled G.I. Gurevich, “he was slightly stooped. I remember gray-gray hair, glasses, I think. His biography was colorful. It seems that in 1926 he flew in a hot air balloon and made an emergency landing in the Komi region. I wrote about this ten times, I liked it..."

In 1930, books of essays by Nick were published. Shpanova – “On Automotive Trans-Eurasia. By car along the Ussuri off-road"; “Feat in the Ice” – about the rescue expedition of the icebreaker “Krasin”; “Into the ice behind “Italy” (the introductory article to this book was written by the famous pilot A. B. Chukhnovsky); finally, a book of stories - “The Mystery of the Arctic”, and in 1931 - a fantastic story “The Land of Inaccessibility”, republished in 1932 under the title “Ice and Tailcoats”.

During the Great Patriotic War, the science fiction novel Nick was published in separate editions. Shpanov “The Secret of Professor Burago” with drawings by the artist P. Alyakrinsky. Six issues were published (1943–1944). Three of them in 1945 were, oddly enough, repeated in distant Abakan. In 1958, the novel was republished in a new edition under the title “War of the Invisibles.” Two old friends - sailor Pavel Zhitkov and pilot Alexander Naydenov meet in the house of Professor Burago. The professor and Zhitkov are working together on the problem of invisibility for the fleet, and Naydenov is busy with a fantastic “optical ear.” Spies swarm around the professor, he suddenly mysteriously disappears, leaving a note about the alleged fallacy of his scientific discoveries. Despite all this, it was difficult to tear myself away from the novel. It is no coincidence that Kir Bulychev later remarked with obvious bitterness: “Shpanov as a science fiction writer, in my opinion, was superior to all Massolitov writers. He seemed to me like a man to whom fate had given a nugget. So he pulled out this nugget from the taiga - his talent - and, fussing, began to pinch, beat, break off pieces from it, until the whole nugget was squandered ... "

Nick's books were popular. Shpanov about Soviet detectives (unusual for that time) - “The Sorcerer’s Apprentice” (1956), “The Adventures of Nil Kruchinin” (1956), as well as very voluminous political novels “Arsonists” (1950) and “Conspirators” (1952). This was the first attempt to tell about the secrets of the Second World War, which radically reshaped the world. By the way, the epigraph from Lenin was chosen accordingly: “We must explain to people the real situation of how great the mystery is in which war is born.” Nick spoke of political know-it-all with respect and respect. Shpanova writer Yulian Semenov. “If you want to learn something,” he once wrote to me, “learn from someone who knew how to grab success by the tail.” Learn from Shpanov the enormity of the topic, the historical richness. It’s just that even tricksters can’t do it.” And Nick pointed out an incredible number of real characters. Shpanova: Stalin, Roosevelt, Hoover, Dimitrov, Hitler, Kaltenbrunner, Chiang Kai-shek, Mao Zedong, Hess, Dulles, Captain Ram, kings and presidents, ambassadors and writers, physicists and pilots. “How difficult must be the task of a writer-artist when he takes up his pen to embody in artistic images one of the most dramatic eras of modern history! – with these words the publishing house introduced one of the editions of the novel “Arsonists”. – Indeed, this is a gigantic task that is beyond the power of one person. It is no coincidence that in world literature there is still no real, truthful work dedicated to the artistic disclosure of the mystery in which the Second World War was born.”

Truly a portrait of an era.

Some will say - blurry, inaccurate.

Without a doubt. But undiluted and 100% accurate ones simply do not exist.

Still, talking about Nick. Shpanov, remember first of all the military science fiction story “The First Strike”. Excerpts from it entitled “The Death of Safar; Duel” and with the subtitle: “Chapters from the science fiction story “Twelve Hours of War” first appeared in “Komsomolskaya Pravda” (August-November, 1936). In 1939, the story was published by the magazine “Znamya”. A separate book “The First Strike. The Tale of a Future War" was published in the same year, 1939, immediately in Voenizdat, in GIHL, in Goslitizdat, in Detizdat, in "Roman-Gazeta", in "Soviet Writer". The fact that they were in a special hurry to convey the book to readers is evidenced by the imprint of the first edition: put into production on May 15, 1939, signed for printing on May 22, 1939.

The future and obviously imminent war worried everyone. Lenin’s words were widely quoted: “The phrase about peace is a funny, stupid utopia until the capitalist class is expropriated.” War was expected, war was feared. The pilots were adored, and miracles were expected from Soviet aviation. Almost all the famous Soviet pilots managed to make their mark in science fiction at that time. Heroes of the Soviet Union Ilya Mazuruk and Georgy Baidukov spoke respectively - one with the story “Unregistered Record” (1938) and the essay “Across Two Poles”, and the other with the story “The Defeat of the Fascist Squadron. Episode from the War of the Future" (1937). At the same time, these fantastic stories and essays were published not just anywhere, but in the main party newspaper of the country, Pravda. In 1936, “A Pilot’s Dream” by Mikhail Vodopyanov was published - and also not somewhere else, but in Komsomolskaya Pravda. However, Mikhail Vodopyanov did not limit himself to this. “Start: A Novella about the Near Future” appeared in the Teacher’s Newspaper in 1939, and the following year his fantastic play “Dream” was published in Novy Mir. In 1937, another Hero of the Soviet Union, Alexander Belyakov, spoke in Izvestia with the story “The Flight of the Planet.”

In the late thirties, the book by Major of the German Army Halders, “The Air War of 1936. The destruction of Paris." It was about a future lightning war. Just lightning fast. On the morning of July 9, armadas of German bombers set course for Paris, and on the evening of July 12, “the French and Belgian envoys in The Hague conveyed to the British government a request for an immediate armistice.”

Such a book could not go unnoticed in the USSR.

As a response to Halders, P. Pavlenko’s novel “In the East” appeared.

Marietta Shaginyan wrote enthusiastically about this: “In the East” is a wonderful book. If many of the writers could still do their job past their neighbor, without knowing or reading other people’s books, now, after Pavlenko’s novel, this is over. Without reading and taking it into account, without organizing a review of his own strengths, without cleaning his own kitchen, without studying and without “retraining” with the help of Pavlenko’s enormous luck, the writer risks immediately settling down, like a house from an earthquake ... "

“Pavlenko is a Bolshevik with a good biography,” M. Shaginyan wrote further. – He read a lot and intelligently before becoming a writer. He was not at all ashamed to learn from the modern West. But he “imported” Western literary technology in exactly the same way as we imported foreign engineering equipment into the Union at the beginning of the Five-Year Plan: he took it without a plot, like a machine of capitalism. The Western way of writing, pauses in syntax... Pavlenko took this technique, which serves as an illusion in the West, and made it work in his novel as a conveyor belt for easier development of action. It turned out very well, it turned out in a Soviet way, it turned out to be the same foreign brand that we mastered at our factory, and the Stakhanovite is pushing standards for it that it doesn’t even think about at home, and at the same time the brand doesn’t threaten anyone with unemployment, no overstocking, no crisis, no strike..."

The heroes of P. Pavlenko enthusiastically smashed Japan in a matter of days.

In a matter of hours, the heroes of Nick defeated Nazi Germany. Shpanova.

Both of them knew very well that they would be heard. Back in 1930, I. Stalin, in a letter to Gorky, explained how the Soviet people should be prepared for the coming upheavals. “It seems to me,” he wrote, “that the attitude of Voronsky, who is preparing to go on a campaign against the ‘horrors’ of war, is not much different from the attitude of the bourgeois pacifists...” The party, Stalin pointed out, is resolutely against works that “depict the ‘horrors’ of war and instill disgust for any war (not only imperialist, but also any other). These are bourgeois-pacifist stories that do not have much value. We need stories that move readers from the horrors of imperialist war to the need to overcome the imperialist governments that organize such wars. Besides, we are not against any war. We are against the imperialist war as a counter-revolutionary war. But we are for a liberation, anti-imperialist, revolutionary war, despite the fact that such a war, as we know, is not only not free from the “horrors of bloodshed,” but is even replete with them.”

The installation was given. She was remembered.

In the editorial of Pravda on August 18, 1940 one could read: “... and when the Marshal of the Revolution, Comrade Stalin, gives the signal, hundreds of thousands of pilots, navigators, and paratroopers will fall on the heads of the enemy with the full force of their weapons, the weapons of socialist justice.”

“We know,” Nick’s heroes echoed Pravda. Shpanov, - that the very moment the fascists dare to touch us, the Red Army will cross the borders of the enemy country. Our war will be the fairest of all wars that humanity has known. Bolsheviks are not pacifists. We are active defenders. Our defense is offense. The Red Army will not remain on the lines for a single hour, it will not mark time, but will rush like a steel avalanche into the territory of the warmongers. From the moment the enemy tries to violate our borders, the borders of his country will cease to exist for us.”

(By the way, about borders. There is such an episode in P. Pavlenko’s novel. “English sailors, witnesses of the battle near Maizuru, confirmed the observations of the Norwegian captain regarding the incomprehensible tactics of the Reds, and the Norwegian himself, at the end of the conversation, admitted that last night he met a Red submarine in Chemulpo Bay, but didn’t tell anyone about it out of fear for the fate of his Tromso. He allegedly shouted to a Soviet officer standing on the bridge of the boat: “Where do you still intend to fight, the devil take you?” And he answered, shrugging his shoulders: “ This is a border battle, sir. I don’t know how things will turn out." - “If we consider this battle to be a border battle, as this Russian submariner, with whom the captain of the Tromso spoke, put it...” Lox began, but Nelson interrupted him: “A beautiful phrase , no more." - “People who bombed the enemy’s capital and caused panic across two seas have the right not only to speak aphorisms, but also to attribute to themselves those of others.”).

Soviet scientists also did not remain aloof from the topic.

In the now rare book “War and Strategic Raw Materials” (1942), Academician A.E. Fersman enthusiastically, I would say, poetically wrote:

“A squadron of bombers and fighters is flying on a dark autumn night - aluminum kites weighing several tons made of aluminum alloys: duralumin or silumin. Behind them are several heavy machines made of special steel with chromium and nickel, with strong solders made of the best niobium steel; critical parts of motors are made of beryllium bronze, other parts of machines are made of electron - a special alloy with a light metal - magnesium. The tanks contain either special light oil or gasoline, the best, purest grades of fuel, with the highest octane number, because it ensures flight speed. At the helm is a pilot armed with a map covered with a sheet of transparent mica or special boron glass. Thorium and radium luminous compounds illuminate numerous counters with a bluish light, and below, under the machine, aerial bombs made of easily exploding metal with detonators made of mercury fulminate, quickly torn off by the movement of a special lever, and whole garlands of incendiary bombs made of metal powder of aluminum and magnesium with iron oxide...

Either turning down the engine, then starting it up again at full speed, so that the noise of the propellers and engines of the bomber squadron shakes the walls and cracks the glass, the enemy kites parachute down flares. We first see the reddish-yellow flame of a slowly descending torch-chandelier - this is burning a special composition of coal particles, bertholite salt and calcium salts. But the light gradually becomes more even, bright and white, magnesium powder, pressed with special substances in the rocket, lights up, the powder of that metallic magnesium that we so often lit for photographic photography, sometimes mixed with greenish-yellow barium salts...

The anti-aircraft guns started talking, monitoring the diving flight of the kite. Shrapnel and fragments of special anti-aircraft shells rain down on enemy aircraft, and again brittle steel, antimony and explosives from coal and oil unleash the destructive force of chemical chain reactions. These reactions, which we call explosions, occur in periods of thousandths of a second, creating vibrational waves and mechanical shocks of enormous force...

Here's a lucky shot. The wing of the flying kite is pierced, and with a heavy load, with the remains of bombs, it flies to the ground. Gasoline and oil tanks explode, un-dropped shells explode, a multi-ton aluminum bomber, created by human genius and human malice to destroy another person, burns and turns into a heap of shapeless oxidized metal. “Fascist plane shot down,” reads a brief press report. “The most powerful chemical reaction is over, and chemical equilibrium has been restored,” says the chemist. “Another blow to the fascist pack, to its equipment, manpower and nerves,” we say. Over 46 elements are involved in air combat - more than half of the entire periodic table."

A real military-geochemical poem!

The success of the story Nick. Shpanov's “First Strike” was determined not only by the complete coincidence of the author’s views and the official doctrine, but, undoubtedly, also by the author’s literary talent. The story interweaves fantastic, heroic, and industrial elements. Yes, the pilot Safar sparkles with his eyes: “It’s a pity, I’m not in charge of history, otherwise there would be a fight. Europe cannot be put in order without a fight. I’ll give my life so that everything falls into place!” – which some critics now mention with indignation. But didn’t the heroes of Alexei Tolstoy, Ilya Ehrenburg, Bruno Yasensky, Sergei Budantsev dream of “putting Europe in order”? Pilots Nick. Shpanova know their stuff. Therefore, there is a special attitude towards them, which could not have been in any previous book. “Political workers, under the leadership of unit commissars, walked around the cars. They looked into the flight first aid kits: was everything in place? Are there medications and dressings prescribed by the manual? Are anti-freeze medications stocked? They did not hesitate to open the personal suitcases of pilots, navigators, and radio operators. Where there was a shortage of chocolate, they shoved Cola bars. Unfilled thermoses were sent to the kitchen to be filled with boiling cocoa. Without interrupting people from work, they put lemons in their pockets, simultaneously, as if by chance, checking whether they were wearing warm underwear, whether anyone had lost their gloves in a hurry, and whether the oxygen masks were working?

Production story? Without a doubt.

Fantastic? Without a doubt.

“According to Groza (one of the combat pilots, - G.P.) it was important to reduce the “scissors” in the flight properties of bombers and fighters by improving the former. The smaller the difference in these properties, the greater the bombers' chances of survival, and perhaps even of victory. This means that the bomber should be as light as possible. Two light bombers can collectively lift as many bombs as a heavy ship can carry on a long-range raid. They can easily overcome the distance separating them from the target. But at the same time, the advantage of light bombers over a large ship is undeniable. Freed from the load of bombs, and even half the weight of its own fuel, the bomber will turn into a combat-ready super-fighter. Here he can not only defend himself, but also actively attack.

“For this, first of all, you need less dead weight,” Safar perked up. – On our beauties this was achieved by using ultra-light alloys of magnesium and beryllium in combination with high-alloy steels - once; installation of steam turbine engines - two... You understand, when I was still a big guy,” Safar said thoughtfully and even somehow dreamily, “everyone around said: steam? - an obsolete thing! The steam engine is a thing of the past. Internal combustion is where the prospects lie! I understood little about such things then, and then, as I began to study, I heard the same thing again: a steam engine is, they say, an antiquity, a gasoline engine and a diesel engine are much better. But now look, the old steam engine has come again and is giving the engine a point...”

Yes, indeed, on the powerful bombers described by Nick. Shpanov, there are... steam engines. “A group of young engineers - students of Academician Vishnyakov - successfully used the power plant on a large-tonnage aircraft. The bold transition to long gear shafts made it possible to eliminate the installation of many motors. It was possible to switch to one high-power engine and transfer its energy to propellers located at any distance in the wings. This had significant aerodynamic and tactical advantages. It remained to find an engine that, with a small specific gravity, would allow high power to be concentrated and would be quite compact... The solution was a steam turbine... Its output increased due to an increase in speed. The critical number, limited by the strength of materials, increased unusually with the use of so-called Kikodze-Urvantsev steels. The possibility of moving the boiler and condenser away from the turbine made it possible to place the entire installation around the aircraft so that its forehead was determined only by the dimensions of the person and weapons ... "

Discussions about the benefits of steam turbines are not taken from scratch.

About inventors Nick. Back in 1936, Shpanov published three books at once - “The History of One Great Loser”, “James Watt” and “The Birth of a Motor”. And I knew airplanes from my own experience. He's great felt topic. “Losing altitude, Safar could already see the ground without the help of a pipe. The dark blue massif of the forest turned into a gray ripple of bushes. Further on stretched ridges of low hills. The hills were deserted. Safar did not see any objects for using his bombs. But he firmly decided not to land (his plane was shot down, - G.P.), without using up the bombs. Therefore, having given the car the minimum angle of descent at which it pulled without falling through, Safar again drove it in a straight line. The absence of the piercing whistle of the propellers and the monotonous hum of the turbine now created, with free planning, the illusion of complete silence. The wings rustled softly and the saf sang in a thin voice (speed indicator - G.P.). If the pilot gave the helm away from himself, the Safa’s voice became bolder and switched to a treble; picked up on himself - the saf returned to the timid viola..."

Or the bomb attack scene.

“The engineer didn’t finish. A yellow glow flashed on the marble of the shields. The copper lining of the turbine casings cast a glow toward the trembling ceiling. Squeezed out by a column of air, the glass wall collapsed inside the machine room. Outside, from the smooth surface of the sleeping lake, a foamy fountain of water rose to the sky. The roar of the explosion reached the hall later, when the next geyser shot up over the lake. He threw a foamy stream across the wide sheet of the dam, merging it with the fountain of concrete and steel thrown by the next bomb. As if rejoicing at the liberation, the water rushed into the breaches. The dam trembled under the pressure of foaming water. The water tore apart the broken blocks of the concrete wall. Each bomb falling into the lake was followed by a dazzling fountain of water and stones. The hydraulic pressure of underwater explosions tore the thirty-meter thick concrete like rotten plywood. Two hundred and sixty million tons of water, destroying everything in its path, fell on Furth-Nuremberg, to which it had slavishly given its blue energy for so long to produce weapons of war. Water overflowed over the granite embankments, flooded the streets, and bubbled in the squares. The banks of the canal could not accommodate the enormous mass of water released by the reservoir. She rushed into the river bed of the Regnitz and rushed towards Bamberg. Sulfur warehouses stored for the production of mustard gas caught fire. The first giant gas holder with toxic substances burst. Blistering, tear gases, suffocating gases: mustard gas, lewisite, phosgene - everything that they whispered with horror in peacetime and that they tried not to believe in, like a terrible ghost of hell, all this flowed along the banks of the Main. A heavy veil of yellow, gray smoke covered the entire expanse of the valley as far as Steigerwald. A wave of a terrible explosion reached there sixty kilometers away. Explosives factories were blown up in Bamberg. The sky was on fire. Tens of kilometers around the fields were covered with flakes of soot. The red tiled roofs of Nuremberg houses turned black to the point that they no longer reflected the fiery dance of the fires. Crowds of distraught guards rushed to shelters. A whirlpool of people who had lost their minds bubbled at the entrances. There was no electricity. Elevators filled with guards screaming in horror stood in the middle of dark shafts. To a depth of thirty meters it was necessary to descend along iron ladders. In the semi-darkness, to which the eyes were not yet accustomed, people stumbled and fell. No one supported them...” Even “sitting in the control room of the flagship aircraft making its third bombing run, Kosykh (one of the Soviet pilots - G.P.) felt like he was suffocating. The air around the car was hot and saturated with a thick, sickening smell of burning ... "

“By 4 o’clock on August 19, the fate of the border battle on the northern section of the southwestern front, where the Germans planned to invade secular territory with the forces of General Schwerer’s army strike group, was decided.”

However, this did not mean that the fate of the entire war was decided, although the German workers had already risen in rebellion on earth. The story ended with meaningful words: “Volkov carefully closed the door behind him and tiptoed along the corridor, trying not to touch the pilots lying here and there. Sometimes he bent down and carefully straightened a parachute bag that had fallen out from under his head or a coat that had slipped down. He looked lovingly into the faces of the sleeping people.

The clock struck outside the door.

They counted out five ringing blows.

Life, of course, was not as carefully organized as the action of the story.

“The house on Vorovskogo, the corner of Merzlyakovsky Lane, where there was a pharmacy, was broken down,” recalled Olga Grudtsova, the daughter of the famous photographer Nappelbaum. “The houses began to look like people with their stomachs ripped open.” You can see beds, sofas, paintings on the walls... Nikolai Nikolaevich Shpanov returned from a business trip to the front... He - a former tsarist officer - is depressed by the confusion, disorganization, and confusion of our army ... "

“One hundred and forty pages of the story Nick. Shpanov are dedicated to the first day of the war, or rather its first twelve hours, - military observer Yu. Sibiryakov later wrote. - According to the script Nick. Shpanov, very important events occurred during this time. Workers' uprisings broke out in German cities blazing with fires, at the airfields the Germans had practically no aircraft ready for battle, there was no gas for the “stratospheric airships,” and turmoil began in the ranks of the invading army itself...” And further: “Oddly enough, but the book Nick. Shpanova was not removed from libraries even after the signing of the Molotov-Ribbentrop Pact in the same 1939. And why? After all, this pact finally made it possible to create that same common border with the “enemy state” with which it was necessary to fight. Poland, which separated the Soviet Union and Germany, was divided between temporary allies under the pact; all that remained was to wait to see who would break the pact first. The pact, as expected and as stated in the book “First Strike,” was violated by the Germans. Shpanov’s work was removed from the book depositories only after the start of the war, and then one could have been put on trial for storing it.”

Fiction Nick. Shpanov did not leave even after the war.

In 1961, in the novel “Hurricane,” he expressed the bold idea of ​​suppressing enemy hydrogen and atomic bombs directly on the ground or in the air. In those years, writing about physicists was only allowed “as if,” and Nick. Shpanov needed all his considerable talent to manage to outline the problem. “Andrey did not see any difficulty in the upcoming flight: the plane would approach the dugout with a uranium container, the electronic device would alert the KChK to release a stream of tauprim. The magnetic bottle will “uncork” at the moment when the radio beam sent from the aircraft is reflected from the uranium charge of the container. The good genie - tauprim - will jump out of the bottle and turn the evil genie - uranium - into harmless lead. These operations will be automatically repeated when passing over the second container representing a “hydrogen bomb”. The potential energy of the explosion contained in its charge will be localized. Deuterium will become inert helium. All this will happen on the six-hundred-kilometer route of the test site in a few minutes.”

“Just funny,” Nick wrote. Shpanov about his hero - how little Andrei knows about his own body compared to how accurate his knowledge of the metal monster is. – (We are talking about a new type of aircraft, – G.P.) – Stubby, with a sloping forehead, “MAK” is ugly. The barely outlined wing processes, as if underdeveloped, do not inspire confidence. It’s hard to imagine that an airplane could be supported on these razor-thin fins on the edge of the atmosphere. The pilot's eye, trained for decades on the slenderness of smooth forms, lingers with displeasure on everything angular that sticks out from the body of the MAC. The profiles of the wing, ailerons, and tail appear to be turned backwards. Their chopped off consoles raise doubts about the naturalness of the design, which looks like a person with feet with their toes turned back. The pilot does not immediately come to terms with the fact that the aerodynamics of hypersonic flight outside a dense atmosphere have overturned traditional concepts of stability and controllability. The angular ventral fin completely deprives the car of its usual slenderness. A short steel ski, not fitted inside the fuselage, sticks out like the tail of a prehistoric lizard, taking the thought back to the depths of centuries. Skis, necessary for the distant ancestors of the “MAK” to crawl on the ground without hooding, and then died out due to complete uselessness, suddenly became needed again, like a suddenly grown atavistic appendage. Old people remember the ancestor of the MAC Avro, running around the airfield with an anti-clip ski stuck out in front, looking like a clumsy soup ladle.”

Sorry, Nick. Shpanov was distinguished not only by his accuracy.

I remember with what amazement I read the pages of the story “The Old Notebook.”

“The cradle separated from the ship (we are talking about an airship hovering in the air near the North Pole,” G.P.) and, shuddering weakly, went deeper into the thick of the fog. I didn't feel cold or damp. Fog like fog. Like in London or Oslo. About five minutes passed. Judging by the speed of the cradle, I believed that I was already at an altitude of no more than fifty meters. At that moment I did not think at all about the majesty of the events, but only restlessly watched the vibrating cable on which the cradle hung. It’s quite unpleasant to descend in pitch darkness from a height of two hundred meters to an unexplored point in the Arctic expanses. Honestly, never in my life, even wandering through the snowy desert of Svalbard, have I felt so alone. Every moment I expected a dazzling white surface of ice to appear below.

The fog was thinning, but there was no trace of ice. After another anxious minute, I finally understood why I still couldn’t see the ice: I was descending straight onto the dark surface of a smooth, as if polished, sea. Yes, yes... I immediately called the airship and told Amundsen what I saw. Turning off the device, I looked down again. It was still a long way to the water. Meanwhile, it seemed to me that on the sides a dark wall of the same shiny, snakeskin-like water was already rising above me.

What's the matter?

I closed my eyes for a moment.

Opened it again. No, this is not an optical illusion...

Around me, gently rising, a dark mass of water rose in the form of a giant funnel. Now its strange gleam was much closer. Around and up. As far as the eye could see, the water was not at all motionless, as it seemed to me at first: on the contrary, it was in continuous and rapid movement. I began to experience an unpleasant dizziness. But I continued to peer at what was below me and not only in the depths of the whirlpool, which looked like a huge bottomless funnel... all around, wherever my gaze fell, wildly spinning logs, boards, and debris were piled up. I remember very well that my attention was attracted by the fact that, despite the constant movement and friction against each other, these logs and boards not only were not split, but were even completely mossy, as if they had been quietly lying in the water for centuries. Having become somewhat accustomed to the roaring whirlwind, I saw a huge amount of ship's gear there. Around me, in a continuous line, masts, yards, pieces of sides, bulkheads, and doors rushed, danced, tumbled, plunged into the water and surfaced again. The rustle of the rubble rubbing against each other around me became piercing, drowning out everything, like the voice of the depths. Now I could no longer distinguish the upper edge of the funnel to the bottom of which I was descending. I was swallowed up by the greedy womb of the furious ocean. And suddenly, among the chaos of spinning boards, I saw the shine of a large copper inscription in the paws of the same copper English lion: “Terror.” And a minute later a large log with a copper word on its side flashed past me: “Zhanneta” (Ships of polar expeditions that once disappeared in the Arctic - G.P.) And I, shuddering, realized: here in this whirlpool is the eternal grave of those who crashed in the polar region. And as if to confirm my thought, some kind of ship superstructure rushed past, almost hitting my fragile cradle. A whole bunch of white skulls were pressed against the copper bars of her porthole...”

Isn't it reminiscent of another very famous whirlpool? Only that other whirlpool is located not in the area of ​​the North Pole, but “above the very coast of Norway, at the sixty-eighth degree of latitude, in the vast region of Nordland, in the harsh region of Lafoden.” And “surrounded by a wide strip of sparkling foam. But not a single piece of foam flew into the mouth of the monstrous funnel: its interior, as far as the eye could penetrate into it, was a smooth, shiny, agate-black wall of water, inclined to the horizon at an angle of about forty-five degrees, which was spinning furiously with rapid jerks..." And further: "... above us and above us we could see the wreckage of ships, huge logs, tree trunks and a mass of small objects - various household utensils, broken boxes, boards, barrels." All differences from Nick's descriptions. Shpanov’s only point is that all these “household utensils” were featured in Edgar Allan Poe’s story “Descent into the Maelstrom.”

Well, let us remember the words of Fyodor Sologub, quoted by A. R. Paley: “A true poet does not neglect the creative heritage of his predecessors, he uses it, melts it in his creative furnace and creates works distinguished by bright poetic originality.”

Time decides all questions, including questions of identity.

Stalin died, the era of Khrushchev came. What guaranteed success yesterday no longer worked. New ideas, new people, new interests. In March 1959, a large article appeared in Komsomolskaya Pravda: “Where the writer Shpanov is going.” But few people were interested in this anymore. From the book Confession of a “kept woman”, or This is how the steel was tempered author Rudkovskaya Yana

Petr Nikolaevich PETER NIKOLAEVICH (1864), adjutant general, lieutenant general. by guard Cav., grandson of the imp. Nick. I, son c. book Nick. Nick. senior and c. book Alex. Petr., ur. prince. Oldenburgskaya, brother V. book Nick. Nick, cousin Uncle Nick. II, image. house, female from 1889 to c. book Milice Nick. Montenegrin, daughter king

From the book New Russian Martyrs author Polish Protopresbyter Michael

Fyodor Nikolaevich Stepanov Many contemporaries of the events of the “White Guard” from the circle of the Bulgakov family recalled that in the house on Andreevsky Spusk, 13 there was a young man of short stature, slightly plump and somewhat reminiscent of a crucian carp. But remember the name of this person, to

From the book For the Benefit of Horses. Hippoic Essays author Urnov Dmitry Mikhailovich

Ivan Nikolaevich - I don’t know what my real name was. This is what they gave in the orphanage - Tyatkin. They say that when they brought me to the orphanage, the director asked me: “What is your last name?” I told him: “I don’t know.” - “Whose are you?” - “Tyatkin.” That's what they wrote down. And when he grew up, he went to school -

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Was Lev Nikolaevich a horse? “We are all a little horse.” Vl. Mayakovsky, “Good attitude towards horses” “Lev Nikolaevich, really, have you ever been a horse,” Turgenev is known to have said, listening to Tolstoy’s oral account of the supposed “experiences” of the old horse,

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Chapter VI THE AUGUSTIC SUPREME COMMANDER-CHIEF: GRAND DUKE NIKOLAI NIKOLAEVICH IN REPRESENTATIONS, INSULTS AND RUMORS OF THE ERA OF THE FIRST WORLD WAR Grand Duke Nikolai Nikolaevich (1856 - 1929), cousin of Alexander III, father of the reigning emperor ,

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6. Grand Duke Nikolai Nikolaevich as a negative character The above facts indicate the increasing popularity of Grand Duke Nikolai Nikolaevich in 1914 - 1915. Supporters of the war, who held different political views, namely with the Grand Duke

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Nikolai Nikolaevich Muravyov (Karsky) (1794–1866) Brother of M. N. Muravyov-Vilensky (The Hangman) and the religious writer A. N. Muravyov. He participated with distinction in the wars of 1812–14, then, under the command of Paskevich, in the Persian and Turkish wars, where he distinguished himself during the storming of Kars. When

Nikolai Nikolaevich Shpanov- Soviet writer, screenwriter and publicist, author of military, detective and science fiction prose.

Born in the city of Nikolsk-Ussuriysk, Primorsky province (now the city of Ussuriysk, Primorsky Territory) in the family of a railway employee. According to the testimony of A.D. Morozov, who was friends with the writer, he came from the Baltic family of von Schpanoff, whose descendants, due to poverty, were forced in the second half of the 19th century. move from the family nest in Estland to the Far East, newly annexed to Russia.

The future writer began traveling in his youth: he visited China and Japan. After graduating from the classical gymnasium, he entered the shipbuilding department of the St. Petersburg Polytechnic Institute, but due to the outbreak of the First World War, he transferred to the Military Engineering School. In 1916 he graduated from the Higher Officers' Aeronautical School (Gatchina), after which he took part in the battles on the fields of the First World War as an observer pilot. In 1918 he volunteered to join the Red Army, and for about 20 years (until 1939) served in the middle command of the Air Force.

Since 1925, Nikolai Shpanov regularly published in the publications of the Dobrolyot and Osoviakhim societies, promoting aviation as the most effective means of strengthening the country's defense capability. From his pen came the brochures “What the Air Promises Us” (1925), “Peaceful Use of the Air Fleet and the Air Fleet in the Civil War” (1928), “The Airship at War” (1930), “The Airplane as a Means of Communication” (1925 ), “Water all-terrain vehicles: What is a glider and what is it for” (1927), “Soviet snowmobiles: What is an snowmobile and what are they for” (1927), “The heart of an airplane: How an aircraft engine works and is designed” (1927) and others. In addition, he created a series of teaching aids written so simply and engagingly that with their help, a person previously unfamiliar with technology could repair aircraft engines by the end of the eight-month training cycle. He also wrote a textbook for flight schools, “Fundamentals of Air Communications” (1930), and a technical reference book, “Modern Aviation Engines” (1931), co-authored.

Shpanov was a member of several expeditions. In the 1920s, he was part of a balloon flight from Moscow to Komi organized by Aviakhim, which was reflected in the book “Our Flight into the Wilds of the Forest” (1926). This 48-page booklet became the first book publication of N. Shpanov’s work of art, a revised and expanded version of which was later published under the title “Red Stone”.

In 1928, from the TASS agency and Izvestia of the Central Executive Committee of the USSR and the All-Russian Central Executive Committee, he took part in the expedition of the icebreaker Krasin to rescue the expedition of Umberto Nobile, during which he visited the islands of Novaya Zemlya and Kolguev, after which he wrote books on Arctic topics. Into the Ice Beyond “Italy” (1929), “Polar Campaign “Krasin” (1929), “Into the Land of Eternal Ice” (1930) and “The End of the Earth” (1930).

At the end of the decade, Shpanov became a participant in the Avtodor campaign rally to the same region. This trip was described by Shpanov in the book “Across Automobile Trans-Eurasia: By Car on the Ussuri Off-Road Road” (1930), which became the author’s last book about travel in which he personally took part.

With his stories for youth and travel essays, the writer regularly appears on the pages of the Peasant Newspaper, the magazines World Pathfinder, Vestnik Air Fleet and Airplane. In the latter, which was the aviation technical magazine of the ODVF (Society of Friends of the Air Fleet), N. Shpanov first worked as the head from the end of 1923 to mid-1925. editor, then - deputy. editor, and later as an employee of the magazine. Therefore, he signed several of his works published in “Airplane” under the pseudonym “K. Kraspink" (Kolya - Red Pinkerton). From 1928 to 1937 he was also deputy. Editor-in-Chief of the Air Fleet Engineering magazine.

In 1930, Shpanov’s first collection of stories, “Riddles of the Arctic,” was published. It was followed by the collection “Arctic foxes” (1931) and the story “Ice and Tailcoats” (1932). Then - several books on the history of inventions in the field of engine building: “The Birth of the Motor” (1934), “Four Stroke” (1935) and artistic biographies of Denis Papin, Etienne Lenoir, James Watt, Nikolai Otto, Eugene Langen (1934-1936).

Nikolai Shpanov made his debut in science fiction in 1925 with the story “Ice and Wings,” published in the magazine “Airplane.” The author filled the story with a simple plot, in which the notorious American fascists are trying to harm the Bolsheviks, with numerous technical innovations, some of which are of interest to the science fiction genre. Firstly, the steamship “Red Star” operates here, built in Leningrad and one and a half times larger than the “Titanic” and “Lusitania”; secondly, part of the plot takes place on a state-of-the-art airship, described by the author as follows: “The cabin of the airship - the giant airship of the Anglo-Soviet Aeronautical Society "RA-34" makes its usual trans-Atlantic flight between Mont Real and Leningrad via London. Today "RA-34" took off from Mont Real at 10 o'clock in the morning. Lunch has just ended. At night the airship will arrive in London. Almost all the passengers gathered in the cabin. This is a huge cabin, the longitudinal walls of which are almost entirely glass. At the end of the cabin there is a door leading to the corridor and to the passenger cabins. The giant "RA-34" comes with a full load. On board it can accommodate 25 crew members and over ninety passengers...”

After the author’s second fantastic work, the story “The Mysterious Explosion” (1925), in 1930 his fantasy novel entitled “The Land of Inaccessibility” (book title “Ice and Tailcoats”, 1932) was published in the Moscow magazine “Around the World”. The action in the novel takes place in the Soviet part of the Arctic Ocean. The theme of the story is an expedition to the North Pole on the Nautilus submarine, armed with all the means of modern technology: radio, electricity, a complex system of drills, exploration probes, platinum “knives” that pave the way for the boat in the icy spaces. The book includes abundant references to recent expeditions, in particular a detailed story about the rescue of the schooner “Nanuk”, which spent the winter off the Chukotka land, etc. In the work, the author uses some of the real characters from the books “The End of the Earth” and “Into the Polar Ice Beyond” Italy,” with whom the author personally met. In his review of the story, E. Tager, in addition to the attractiveness of the work, also points out significant shortcomings: “In pursuit of cheap effects, Shpanov does not even care too much about the connection of some episodes with the main plot lines of the novel. This is the mysterious story of the madness of a Russian sailor who mysteriously ended up on the “Land of Inaccessibility” and became a priest of a native tribe lost among the eternal ice. The characters in the novel are extremely schematized and standard: the inveterate “Yankee” Bilkins, who believes only in “common sense” and “mathematics”, the anthracite King Harmon, in his morning pajamas giving orders by telephone, the German lieutenant Litke, dry and laconic, with an indispensable monocle in eye; finally, the degraded white emigrant Manevich, drunkenly ranting about the notorious “Russian soul” - all these characters, like many others, seem taken from a hack film depicting a “decaying Europe... So, it should be stated that Shpanov’s attempt to create a Soviet scientific and technical novel ended in complete failure.".

In 1936, the Komsomolskaya Prava newspaper published excerpts from Shpanov’s new “story about a future war,” “Twelve Hours of War,” and in 1938 the feature film “Deep Raid,” directed by P. Malakhov from a script by Nikolai Shpanov, was released across the country. The film told how, in response to an enemy attack, three Soviet squadrons subjected the capital and military-industrial centers of the enemy, including the city of Fort, to devastating bombardment. Soviet ground forces, using the successes of aviation, break through the front and defeat the enemy army. The film received commendable reviews in the newspapers Pravda and Kino. Inspired by the success, Shpanov tried to publish the full version of the story “Twelve Hours of War,” which served as the basis for the film script. From the film to the story, the name of the enemy city of Fort, bombed by Soviet aviation, scenes of the destruction of the enemy airship and the ground ram with which the author closed the topic of the death of Soviet soldiers are transferred. In this form, the manuscript was offered to several publishing houses and was unsuccessful everywhere. According to the writer, the story was banned 14 times, and the ready-made set of the story at the Soviet Writer publishing house was scattered. Only the magazine “Znamya” managed to publish a large excerpt from it. And only after significant revision of the manuscript at the insistence of Vs. Vishnevsky, an almost new version of the work, already entitled “The First Strike,” was published in 1939 in the magazine “Znamya” through the efforts of the same V. Vishnevsky.

Quite unexpectedly for the writer himself, the story was a resounding success; in a short time, 5 book editions were published in huge editions. Shpanov's story, as K. Simonov noted, “supported by a firm hand from above”. The novel was recommended for study by all working people and Red Army soldiers. Notice of its publication with a special annotation was given in the journal of the Political Directorate of the Red Army "Political Study of the Red Army Soldier", and the first edition of the book was published in the series "Commander's Library". As studies of archival materials have shown, this “hand” turned out to be I. Stalin, who personally read it and left pencil notes.

It is also interesting that after the signing of the Soviet-German non-aggression pact (Moltov-Ribbentrop Pact) on August 23, 1939, the story was withdrawn from sale for some time. However, the ban was canceled after Germany attacked the Soviet Union on June 22, 1941.

In 1939, Nikolai Shpanov was accepted into the USSR Writers' Union and he became a professional writer. In the same year, as a correspondent, he took part in the fighting near the Khalkhin Gol River and published a number of essays on the military conflict with the 6th Separate Army of Japan in Mongolia.

In 1941, in the first months of the Great Patriotic War, Shpanov visited the theater of operations. And, as follows from the memoirs of Lydia Chukovskaya, in September he told her with horror and bitterness about what was really happening at the front, how different the reality was from the dashing victories of the Soviet army he described in “First Strike.” During the Great Patriotic War, N. Shpanov published a biographical essay “Major Koshevoy” (1941), excerpts from the story “Fighters” (1941), a biographical story about the Hero of the Soviet Union, pilot N. F. Gastello “The Boy from Polesie” (1942) and a collection of short stories, Warm Heart (1942).

In 1943-44. A number of his fantasy-adventure works were also published: the novel “The Mystery of Professor Burago” (1943-44) in the form of a six-book book (republished in 1945 in Abakan in 3 volumes), the story “The Incident on the Clarissa” (1943), “ Prisoners of the Isle of Mists" (1943) and "War of the Invisibles" (1944). After the war, the author revised all these works and combined them into a large adventure novel, “The War of the Invisibles” (1958), in which all the traditional cliches of that time entertaining literature apply: a brilliant inventor, insidious spies, astute counterintelligence officers, careless bosses and vigilant ordinary Soviet people.

In 1949-1951, two of Nikolai Shpanov’s largest works were written - the novels “Arsonists” (1949) and “Conspirators” (1951), in which the Second World War was presented as the result of a conspiracy between American imperialists and German fascists, and post-war events reveal the technology of unleashing a new world war by imperialist predators with the help of traitors from the socialist camp. Novels were unusual for Soviet readers. Along with extensive quoting of top secret documents (the author's fantasy), the books looked multifaceted on the one hand, and on the other hand, had a rather entertaining adventurous plot. It should be noted that the negative characters in the novels were written by the author with greater care than the communists and peace fighters, who were rather monotonous in their virtues. This unique dilogy was written in the spirit of the then official doctrine of the USSR and it is not surprising that in a short time it went through more than a dozen reprints, bringing significant profits not only to the author, but also to many regional publishing houses.

After 1955, these novels were no longer republished during the author’s lifetime, and the book “The Conspirators,” which had a special political orientation (in the novel, for example, Josip Broz Tito was described as a CIA agent), was subject to withdrawal from libraries and the bookselling network, as well as the author's pamphlet “Cloak and Dagger Diplomats” (1952). The pamphlet contained essays about similar political trials organized by the Soviet state security in socialist countries at the turn of the 1940s and 50s on charges of Cardinal Midsenti, T. Kostov, L. Raik, R. Slansky and others in collaboration with American “warmongers” and their henchmen from the ranks of “world Zionism”.

In 1955, the story “The Messenger of Jin Feng” was published in a separate edition, previously published in the magazine “Smena” in 1951 as chapters from the third book of the novel “Arsonists”, but due to the events described above, it remained unfinished. He takes almost no part in literary and social life, and soon found himself isolated from the main direction of Soviet literature, which underwent changes after the famous 20th Congress of the CPSU.

Since the late 1950s, Nikolai Shpanov switches to works of the detective genre, in which spies and traitors are mainly caught. Along with Major Pronin, from the pen of the writer Lev Ovalov, in the cycle of stories “The Adventures of Nil Kruchinin” Shpanov created one of the first images of a detective in Soviet literature, who is the cross-cutting hero of several works. Shpanov makes the heroes of his works, Nil Platonovich Kruchinin and his faithful friend Suren Grachik, unique analogues of the literary heroes of A. Conan Doyle - Sherlock Holmes and Doctor Watson.

In 1958, his science fiction novel “War of the Invisibles” was published, telling about the struggle of Soviet scientists and intelligence officers against fascism. The novel was written on the basis of separate stories published during the war, “The Secret of Professor Burago” (1943) and “The War of the Invisibles” (1944). “The Secret of Professor Burago” was published in the form of six small books and became the first half of the novel, and the second, published and unfinished in the Ogonyok magazine, became its 13th and 14th chapters in the novel. But it should be noted that the author significantly revised his novel, so the stories are not always identical to the 1958 book. This book was printed in a circulation of 225,000 copies and caused fierce attacks from critics, who turned into outright persecution of Shpanov.

In the last years of his life, Nikolai Shpanov was seriously ill and lived in the Esberg farm of the Rakvere district of the Estonian SSR, where he worked on the final part of the trilogy, dedicated to modern times, begun by “Arsonists” and “Conspirators” - the novel “Outside the Law”. Just before his death, the author’s last book was published – the anti-American science fiction novel-pamphlet “Hurricane” (1961), which went virtually unnoticed by both critics and readers. In this book, the author expressed a bold idea to suppress enemy hydrogen and atomic bombs directly on the ground or in the air.

Actually, the death of Nikolai Shpanov went unnoticed. The writer died in Moscow at the age of 65 and not a single person came to his funeral except the Literary Fund official responsible for the ceremony.

Nikolai Shpanov's contribution to science fiction literature is limited (without taking into account the numerous reworkings and additions of his own works) to six titles: the stories “Ice and Wings” and “The Mysterious Explosion” (both 1925), the story “The First Strike” (1939), as well as the novels “The Land of Inaccessibility” (“ Ice and Tailcoats" - 1930), "War of the Invisibles" (1958) and "Hurricane" (1961). Despite the ambiguity of Shpanov’s creative heritage, his ups and downs, in science fiction it is customary for critics to speak disparagingly of his books. “Shpanov as a science fiction writer, in my opinion, was superior to all Massolitov writers, - Kir Bulychev wrote in his monograph “How to become a science fiction writer.” - He seemed to me like a man to whom fate had given a nugget. So he pulled out this nugget from the taiga - his talent - and, fussing, began to pinch, beat, break off pieces from it, until the whole nugget was squandered.".

However, Shpanov’s ability to work cannot be denied. Be that as it may, - “Learn from Shpanov!” - advised the venerable



Soviet writer, screenwriter and publicist, author of military, detective and science fiction prose. Member of the USSR Writers' Union (1939).

Born in the city of Nikolsk-Ussuriysk, Primorsky province (now the city of Ussuriysk, Primorsky Territory) in the family of a railway employee. According to the oral testimony of A.D. Morozov, who was friends with the writer, he came from the Baltic family of von Schpanoff, whose descendants, due to poverty, were forced in the second half of the 19th century. move from the family nest in Estland to the Far East, newly annexed to Russia. Another interesting fact. The “Great Soviet Encyclopedia” in the article “Ussuriysk” indicates that the city of Nikolsk-Ussuriysk was formed in 1898 by the merger of the village of Nikolskoye with the village of Ketritsevo, and bore this name until 1935, when it was renamed the city of Voroshilov (now Ussuriysk). Thus, N.N. Shpanov is two years older than his hometown.

The future writer began traveling in his youth: he visited China and Japan. After graduating from the classical gymnasium, he entered the shipbuilding department of the St. Petersburg Polytechnic Institute, but due to the outbreak of the First World War, he transferred to the Military Engineering School. In 1916 he graduated from the Higher Officers' Aeronautical School (Gatchina), after which he took part in battles on the fields of the First World War as an observer pilot. In 1918 he volunteered to join the Red Army, where for about 20 years (until 1939) he served in the middle command of the Air Force.

Since 1925, Nikolai Shpanov regularly published in the publications of the Dobrolyot and Osoviakhim societies, promoting aviation as the most effective means of strengthening the country's defense capability. From his pen came the brochures “What the Air Promises Us” (1925), “Peaceful Use of the Air Fleet and the Air Fleet in the Civil War” (1928), “The Airship at War” (1930), “The Airplane as a Means of Communication” (1925 ), “Water all-terrain vehicles: What is a glider and what is it for” (1927), “Soviet snowmobiles: What is an snowmobile and what are they for” (1927), “The heart of an airplane: How an aircraft engine works and is designed” (1927) and others. In addition, he created a series of teaching aids written so simply and engagingly that with their help, a person previously unfamiliar with technology could repair aircraft engines by the end of the eight-month training cycle. He also wrote a textbook for flight schools, “Fundamentals of Air Communications” (1930), and a technical reference book, “Modern Aviation Engines” (1931), co-authored.

Shpanov was a member of several expeditions. In the 1920s, he was part of a balloon flight from Moscow to Komi organized by Aviakhim, which was reflected in the book “Our Flight into the Wilds of the Forest” (1926). This 48-page booklet became the first book publication of N. Shpanov’s work of art, a revised and expanded version of which was later published under the title “Red Stone”. In 1928, from the TASS agency and Izvestia of the Central Executive Committee of the USSR and the All-Russian Central Executive Committee, he participated in the Krasina campaign, during which he visited the islands of Novaya Zemlya and Kolguev, after which he wrote books on Arctic topics, “Into the Ice beyond Italy” ( 1929) and "The End of the Earth" (1930). At the end of the decade, Shpanov became a participant in the Avtodor campaign rally to the same region. This trip was described by Shpanov in the book “Across Automobile Trans-Eurasia: By Car on the Ussuri Off-Road Road” (1930), which became the author’s fourth and last book about travel in which he personally took part.

The writer constantly appears with stories for youth and travel essays on the pages of the Peasant Newspaper, the magazines World Pathfinder, Bulletin of the Air Fleet and Airplane. In the latter, which was the aviation technical magazine of the ODVF (Society of Friends of the Air Fleet), N. Shpanov from the end of 1923 to the middle of 1925 was first the head. editor, then deputy. editor, and later as a magazine employee. As a result, he used the pseudonym “K.” several times for his works published in Samolet. Kraspink." From 1928 to 1937 he was also deputy. Editor-in-Chief of the Air Fleet Engineering magazine. In 1930, his collection of stories “Mysteries of the Arctic” was published, followed by “Arctic foxes” (1931) and the story “Ice and Tailcoats” (1932). Then several publications on the history of inventions in the field of engine building: “The Birth of the Motor” (1934), the novel “Four Stroke” (1935), the story “The Story of One Great Loser” (1936) and the fictionalized biography “James Watt” (1936).

In 1925, Nikolai Shpanov made his debut in science fiction with the story “Ice and Wings,” published in the first issue of the magazine “Airplane.” The author filled the story with a simple plot, where the notorious American fascists are trying to harm the Bolsheviks, with numerous technical innovations, some of which are of interest to the science fiction genre. Firstly, the steamship “Red Star” operates here, built in Leningrad and one and a half times larger than the “Titanic” and “Lusitania”. And, secondly, part of the plot takes place on a state-of-the-art airship, described by the author as follows: “ The cabin of the airship - the giant airship of the Anglo-Soviet Aeronautical Society "RA-34" makes its usual trans-Atlantic flight between Mont Real and Leningrad via London. Today "RA-34" took off from Mont Real at 10 o'clock in the morning. Lunch has just ended. At night the airship will arrive in London. Almost all the passengers gathered in the cabin. This is a huge cabin, the longitudinal walls of which are almost entirely glass. At the end of the cabin there is a door leading to the corridor and to the passenger cabins. The giant "RA-34" comes with a full load. On board it can accommodate 25 crew members and over ninety passengers...»

After the author’s second science fiction work, the story “The Mysterious Explosion,” Shpanov published the book “Ice and Tailcoats,” which is a science fiction story set in the Soviet part of the Arctic Ocean. Previously, this work was published in 1930 in the Moscow magazine “Around the World” under the title “Land of Inaccessibility”. The theme of the story is an expedition to the North Pole on the Nautilus submarine, armed with all the means of modern technology. Radio, electricity, a complex system of drills, exploration probes, platinum “knives” that pave the way for the boat in the icy spaces. The book includes abundant references to recent expeditions, in particular a detailed story about the rescue of the schooner "Nanuk", which spent the winter off the Chukotka land, etc. In this story, the author uses some of the characters from the book "The End of the Earth", i.e. real people. Also in this story, some characters from the book of essays “Into the Polar Ice Beyond Italy” are used, also real people with whom the author personally met. In his review of the story, E. Tager, in addition to the attractiveness of the work, also points out significant shortcomings: “ In pursuit of cheap effects, Shpanov does not even care too much about the connection of some episodes with the main plot lines of the novel. This is the mysterious story of the madness of a Russian sailor who mysteriously ended up on the “Land of Inaccessibility” and became a priest of a native tribe lost among the eternal ice. The characters in the novel are extremely schematized and standard: the inveterate “Yankee” Bilkins, who believes only in “common sense” and “mathematics”, the anthracite King Harmon, in his morning pajamas giving orders by telephone, the German lieutenant Litke, dry and laconic, with an indispensable monocle in eye; finally, the degraded white emigrant Manevich, drunkenly ranting about the notorious “Russian soul” - all these characters, like many others, seem taken from a hack film depicting a “decaying Europe... So, it should be stated that Shpanov’s attempt to create a Soviet scientific and technical novel ended in complete failure».

Nikolai Shpanov gained enormous fame from his “story of a future war,” “First Strike” (1939), which tells how, in the event of aggression, Soviet aviation will immediately, within 12 hours, hit the enemy in his lair. The air forces of a fictional hostile state attack the USSR and bombard border cities. In response, three Soviet squadrons are sent deep into the rear of the enemy country and deliver a crushing blow that decides the outcome of the war. The popularity of the work in those years is evidenced by the fact that in 1939 alone the novel was published 6 times in gigantic editions, as well as the film “Deep Raid” released on February 23, 1938, shot at the Mostekhfilm studio by director Pyotr Malakhov. The novel was recommended for study by all working people and Red Army soldiers. Notice of its publication with a special annotation was given in the journal of the Political Directorate of the Red Army "Political Study of the Red Army Soldier", and the first edition of the book was published in the series "Commander's Library". It is also interesting that for some time this novel was withdrawn from sale due to the signing of the Soviet-German non-aggression pact (Moltov-Ribbentrop Pact) on August 23, 1939, which was annulled after the German attack on the Soviet Union on June 22, 1941.

In 1939, Nikolai Shpanov was accepted into the USSR Writers' Union and he became a professional writer. In the same year, as a correspondent, he took part in the fighting near the Khalkhin Gol River and published a number of essays on the military conflict with the 6th Separate Army of Japan in Mongolia.

In 1941, in the first months of the Great Patriotic War, Shpanov visited the theater of operations. And, as follows from the memoirs of Lydia Chukovskaya, in September he told her with horror and bitterness about what was really happening at the front, radically different from the dashing victories of the Soviet army he described in “First Strike.” During the Great Patriotic War, N. Shpanov published a biographical essay “Major Koshevoy” (1941), excerpts from the story “Fighters” (1941), a biographical story about the Hero of the Soviet Union, pilot N. F. Gastello “The Boy from Polesie” (1942) and a collection of short stories, Warm Heart (1942). In 1943-44. a number of fantastic adventure works were published: the novel “The Mystery of Professor Burago” (1943-44) in the form of a six-book book (republished in 1945 in Abakan in 3 volumes) and its continuation “The War of the Invisibles” (1944), the story “Incident on the Clarissa "(1943), "Prisoners of the Island of Mists" (1943). After the war, the author reworked all these works and combined them into a large adventurous novel, “The War of the Invisibles,” in which all the traditional cliches of that time entertaining literature apply: a brilliant inventor, insidious spies, astute counterintelligence agents, careless bosses and vigilant ordinary Soviet people.

In 1949-1951, two of Nikolai Shpanov’s largest works were written - the novels “Arsonists” (1949) and “Conspirators” (1951), in which the Second World War was presented as the result of a conspiracy between American imperialists and German fascists, and post-war events reveal technology the unleashing of a new world war by imperialist predators with the help of traitors from the socialist camp. Novels were unusual for Soviet readers. Along with extensive quoting of top secret documents (the author's fantasy), the books looked multifaceted on the one hand, and on the other had a rather entertaining adventurous plot. It should also be noted that the negative characters in the novels were written by the author with greater care than the communists and peace fighters, who were rather monotonous in their virtues. This unique dilogy was written in the spirit of the then official doctrine of the USSR and it is not surprising that in a short time it went through several dozen reprints, bringing significant profits not only to the author, but also to many regional publishing houses.

After 1955, these novels were no longer republished during the author’s lifetime. And the book “The Conspirators,” which had a special focus (in the novel, for example, Josip Broz Tito was described as an accomplice of the CIA), was subject to withdrawal from libraries and the bookselling network, as well as the author’s pamphlet “Cloak and Dagger Diplomats” (1952). The pamphlet contained essays about similar political trials organized by the Soviet state security in socialist countries at the turn of the 1940s and 50s on charges of Cardinal Midsenti, T. Kostov, L. Raik, R. Slansky and others in collaboration with American “warmongers” and their henchmen from the ranks of “world Zionism”.

In 1955, the story “The Messenger of Jin Feng” was published in a separate edition, previously published in the magazine “Smena” in 1951 as chapters from the third book of the novel “Arsonists”, but in connection with the events described above, it remained a separate publication. He took almost no part in literary and social life, and soon found himself isolated from the main direction of Soviet literature, which underwent changes after the famous 20th Congress of the CPSU. Since the late 1950s, Nikolai Shpanov switches to works of the detective genre, in which spies and traitors are mainly caught, and documentary stories about inventors (the collection “Tales of the Successes of Great Losers”). In the cycle of stories “The Adventures of Nil Kruchinin,” Nikolai Shpanov created the first image of a detective in Soviet literature, who is the cross-cutting hero of several works. Shpanov makes the heroes of his works Nil Platonovich Kruchinin and his faithful friend Suren Grachik as original prototypes for the literary heroes of A. Conan Doyle - Sherlock Holmes and Doctor Watson.

In 1958, his new book was published - the novel “War of the Invisibles,” which tells about the struggle of Soviet scientists and intelligence officers against fascism. Let us repeat that it was created on the basis of separate stories published during the war, “The Secret of Professor Burago” (1943) and “The War of the Invisibles” (1944). “The Secret of Professor Burago” was published in the form of six small books and became the first half of the novel, and the second, published and unfinished in the Ogonyok magazine, became its 13th and 14th chapters in the novel. But it should be noted that the author significantly revised his novel, so the stories are not always identical to the 1958 book. This book was printed in a circulation of 225,000 copies and caused fierce attacks from critics, who turned into outright persecution of Shpanov.

In the last years of his life, Nikolai Shpanov, who was seriously ill, lived in the Esberg farm of the Rakvere district of the Estonian SSR, where he worked on the final part of the trilogy, dedicated to modern times, begun by “Arsonists” and “Conspirators” - the novel “Outside the Law”. Just before his death, the author’s last book was published – the anti-American science fiction novel-pamphlet “Hurricane” (1961), which went virtually unnoticed by both critics and readers. In this book, the author expressed a bold idea to suppress enemy hydrogen and atomic bombs directly on the ground or in the air.

Actually, the death of Nikolai Shpanov went unnoticed. He died in Moscow at the age of 65 and not a single person came to his funeral except the Literary Fund official responsible for the ceremony.

Despite the ambiguity of the writer’s work, his ups and downs, in science fiction it is customary for critics to speak disparagingly of his books. Kir Bulychev spoke best about the writer in his monograph “How to become a science fiction writer”: “ Shpanov as a science fiction writer, in my opinion, was superior to all Massolitov writers. He seemed to me like a man to whom fate had given a nugget. So he pulled out this nugget from the taiga - his talent - and, fussing around, began to pinch, beat, break off pieces from it, until the entire nugget was squandered" And to summarize Nikolai Shpanov’s contribution to fantastic literature, one should discard his numerous revisions and additions to his works, which ultimately gives six titles: the stories “Ice and Wings” (1925) and “The Mysterious Explosion” (1925), as well as the novels “Earth” Inaccessible" (1930), "First Strike" (1939), "War of the Invisibles" (1958) and "Hurricane" (1961).

Author's works
    Novels
  • 1930 – Land of Inaccessibility
      The same: See the story “Ice and Tailcoats”
  • 1935 – Four bars
  • 1939 – First strike
      Same: Titled “Twelve Hours of War”
  • 1941 – Big Parade – [Novel not published]
  • Dilogy
      1943 – The Mystery of Professor Burago 1958 – War of the Invisibles
  • 1946 – The Werewolf – [Novel not published]
  • 1949 – Arsonists
  • 1951 – Conspirators
  • 1956 – The Sorcerer’s Apprentice – [Revised story of the same name]
  • 1958 – War of the Invisibles
  • 1960 – Outlaw – [Novel not published]
  • 1961 – Hurricane

    Collections

  • 1930 – End of the Earth
  • 1930 – The Mystery of the Arctic
  • 1931 – Arctic foxes
  • 1932 – To the land of eternal ice
  • 1939 – First strike
  • 1942 – Warm heart
  • 1955 – Seekers of Truth
  • 1955 – Warm Hearts
  • 1956 – Little house by the strait; Old notebook
  • 1957 – Red Stone
  • 1959 – Tales of the Fortunes of Great Losers
  • 1961 – Red Stone

    Stories

  • 1930 – Kholgol
  • 1930 – On the lips of New Land
  • 1930 – With “Taimyr”
  • 1932 – Ice and tailcoats
      The same: See the novel Land of Inaccessibility"
  • 1934 – Denis Papin
      The same: Entitled “The Story of One Great Loser” The same: Entitled “The History of the Suffering, Life and Immortality of Bachelor Denis Papin”
  • 1941 – Fighters – [The story is not published in full]
  • 1942 – Boy from Polesie
      Same: Titled “Nikolai Gastello” Same: Titled “For Life”
  • 1942 – The Mystery of Professor Burago – [part of the novel of the same name]
  • 1943 – Incident on the “Clarissa” – [included in the novel “The Mystery of Professor Burago”]
  • 1943 – Prisoners of the Island of Mists – [included in the novel “The Mystery of Professor Burago”]
  • The adventures of Neil Kruchinin:
      1945 – The Secret of Three
        Same: Titled “It Was in the North” Same: Titled “The Case of Ole Ansen”
      1945 – The Adventures of Kruchinin
        Same: Titled “On New Year’s Eve”
      1946 – Yellow Gloves
        The same: Titled “The Personal Happiness of Nil Kruchinin”
      1949 – The Sorcerer’s Apprentice 1957 – “Bugbear”
        Same: Titled “The Last Safecracker”
  • 1951 – Messenger Jin Feng
  • 1958 – Garcon from “A Single Parisian”

    Stories

  • 1925 – Ice and Wings
  • 1925 – Mysterious explosion
      Same: Titled “Note to Anke”
  • 1926 – Schwartz
      The same: Under the title “Pilot Schwartz” The same: In revision. video called "Black Flies"
  • 1926 – The Mystery of the Arctic / Pseud. "TO. Kraspink"
      Same: Titled “Above the Pole”
  • 1926 – Lost in the Woods. Adventures of Russian balloonists
      The same: Titled “Our flight into the wilds of the forest” Same: Titled “Red Stone”
  • 1927 – Record price
  • 1928 – Where the eagle has not flown
  • 1929 – Sensational information
  • 1930 – Foreroad
  • 1930 – Bot “New Earth”
  • 1930 – Under a yellow sky
  • 1930 – King of Vice and Sorrow
  • 1930 – Jaegers
  • 1930 – Chuvel
  • 1930 – Poppy Plantation Watchman
  • 1930 – Gypsy and Lyovka
  • 1930 – Number that will not pass
      The same: Under the title “The number will not pass”
  • 1930 – Prisoners of the Island of Foyn
  • 1931 – Mr. Engels’ deal
  • 1931 – Arctic foxes
  • 1931 – Grönmalm March: In memory of the brave Swede Finn Malmgren
      The same: Under the title “Malmgren’s March”
  • 1931 – “Our life is Samoyed...” – [Previously, as part of the story “Kholgol”]
  • 1931 – Life at the helm – [Previously, as part of the story “Bot “New Earth”]
  • 1931 – A story about a bear hunt – [Previously, as part of the story “Across the Lips of the New Land”]
  • 1937 - Jimmy's Second Death (Recorded by Michael O'Kearney)
      The same: Entitled "The Second Death of Jimmy" The same: Entitled "The Death of Jimmy" The same: Entitled "Jimmy"
  • 1939 – The Hunter from Svalbard – [Previously, as part of the story “Arctic foxes”]
  • 1939 – On antlers
  • 1940 – Tender old man
  • Cycle “Prokhor and his comrades”
      1941 – Man with Glasses 1942 – Argument 1942 – Warm Heart 1942 – Horsefly 1942 – Musician 1942 – Point of View 1942 – Adjutant 1942 – Fifty Infinities 1942 – Wonderful Violin
  • 1941 – Major Koshevoy
  • 1956 – Knife Strike

    Journalism

  • 1939 – Unfading Flame

    Plays

  • 1944 – A bottle of rum / In collaboration. with L. Rubinstein
  • 1949 – Western border / In collaboration. with Joseph Prut

    Filmography and film adaptations

  • 1938 – Deep Raid – author of the script based on the story “First Strike” / Co-author. with P. P. Malakhov
  • 1941 – Sea Hawk – scriptwriter / Co-author. with A. Mikhailovsky
  • 1942 – The Wonderful Violin – author of the script based on the story of the same name – 1st part of the “Musical Film Collection” (Kiev Film Studio (Ashgabat), dir. A. Ivanovsky)
  • 1963 – The General and the Puppets – author of the script based on the novel “Hurricane” / Co-author. with M. E. Chiaureli, A. A. Filimonov
Bibliography in Russian
Selected editions
  • End of the Earth: Travel Notes / With 8 drawings from life. Vasily Belyaev, 40 photographs by A.P. Nikolsky and 4 maps. – M.-L.: Young Guard, 1930. – 336 p. – (Library of Expeditions and Travels). 2 r. 50 k. 4,110 copies. (O)
      Preface – p.7-14 Foreroad: [Story] – p.8-33 Bot “New Earth”: [Story] – p.34-54 Kholgol: [Tale] – p.55-168 On the lips of Novaya Zemlya: [ Tale] – p.169-261 With “Taimyr”: [Tale] – p.262-328 List of native words and special terms found in the text – p.329-336
  • The Mystery of the Arctic: Stories / Cover by L. Steiner. – M.-L.: Earth and Factory, 1930. – 176 p. 1 rub. 10 k. 5,000 zkz. (O)
      Mystery of the Arctic – p.3-12 Under the yellow sky – p.13-29 Where the eagle has not flown – p.30-42 Pilot Schwartz – p.43-56 The price of the record – p.57-90 Number that will not pass – p. .91-113 Captives of the island of Foyn – p.114-155 Sensational information – p.156-175
  • Arctic foxes: The second book of stories / Cover by V. O. Roskin. – M: Federation, 1931. – 172 pp. 1 rub. 10,000 copies (O)
      Arctic foxes – p.3-47 “Our life is Samoyed...” – p.48-60 Mr. Engels’s deal – p.61-94 Steering life – p.95-103 A story about a bear hunt – p.104-143 The Grönmalm campaign: In memory the brave Swede Finn Malmgren – p.144-171
  • Ice and tailcoats: A story. – M.: Federation, 1932. – 332 p. 3 r. 65 k. 5,200 copies.
  • Four bars: Roman / Fig. E. Perinkova. – M.: Young Guard, 1935. – 204 p. 1 rub. 60 k. 15,000 copies. (p) – signed for publication on 08/08/1935.
      Preface by the author – p.3 Part I. Denis Papin – p. Part II. Jean Lenoir - p.
  • The story of one great loser: Tale / Fiction. L.P. Zusman. – M.-L.: Detizdat, 1936. – 136 p. – (Life of wonderful people). 3 r. 50 k. 25,000 copies. (P)
  • First Strike: A Tale of the Future War. – M.: Military Publishing House of the Armed Forces of the USSR Union, 1939. – 136 p. – (Commander's Library). 2 r. 50 k. (p) – signed for publication on May 22, 1939.
  • First Strike: A Tale of the Future War. – M.: Military Publishing House of the Armed Forces of the USSR Union, 1939. – 136 p. 1 rub. 75 k.
  • First Strike: A Tale of the Future War. – M.: Goslitizdat, 1939. – 60 p. – (Roman-newspaper; No. 6). 50 kopecks 275,000 copies. (O)
  • First Strike: A Tale of a Future War / Fig. F. Bochkova, V. Klimashina. – M.-L.: Detizdat, 1939. – 152 p. 4 rub. 25,000 copies (p) – signed for publication on June 17, 1939.
      M. V. Vodopyanov, Hero of the Soviet Union. [Preface] – p.3-6 The first blow – p.7-149 Explanation of some incomprehensible words found in the book – p.150-152
  • The first blow: Novels and stories / Art. V. Vakidin. – M.: Soviet writer, 1939. – 256 p. 7 rub. 10,000 copies (p) – signed for publication on May 31, 1939.
      The First Strike: A Tale of a Future War – p.3-140 The Huntsmen – p.141-193 On Antlers – p.194-213 The Death of Jimmy – p.214-221 The Hunter from Svalbard – p.222-239 Malmgren’s Campaign – p. 240-253
  • Major Koshevoy: Story. – M.: Soviet writer, 1941. – 48 p. 15,000 copies (O)
  • Warm Heart: Collection of Stories. – M: Soviet writer, 1942. – 72 p. 1 rub. 25 k. 25,000 copies. (o) – signed for publication on April 24, 1942.
      Warm heart – p.3-8 Horsefly – p.9-20 Man with glasses – p.21-26 Musician – p.27-35 Point of view – p.36-44 Adjutant – p.45-49 Fifty infinities – p. .50-59 Wonderful violin – p.60-69
  • The Mystery of Professor Burago: [Novel]: Issue 1 / Fig. P. Alyakrinsky. – M.: Young Guard, 1943. – 80 p. 1 rub. 50 k. 50,000 copies. (o) – signed for publication on May 25, 1943.
  • The Mystery of Professor Burago: [Novel]: Issue 2 / Fig. P. Alyakrinsky. – M.: Young Guard, 1943. – 80 p. 1 rub. 50 k. 50,000 copies. (o) – signed for publication on July 24, 1943.
  • The Mystery of Professor Burago: [Novel]: Issue 3 / Fig. P. Alyakrinsky. – M.: Young Guard, 1943. – 80 p. 1 rub. 50 k. 50,000 copies. (o) – signed for publication on 10/09/1943.
  • The Mystery of Professor Burago: [Novel]: Issue 4 / Fig. P. Alyakrinsky. – M.: Young Guard, 1944. – 52 p. 1 rub. 50 k. 50,000 copies. (o) – signed for publication on October 22, 1943.
  • The Mystery of Professor Burago: [Novel]: Issue 5 / Fig. P. Alyakrinsky. – M.: Young Guard, 1944. – 96 p. 2 rub. 50,000 copies (o) – signed for publication on February 16, 1944.
  • The Mystery of Professor Burago: [Novel]: Issue 6 / Fig. P. Alyakrinsky. – M.: Young Guard, 1944. – 104 p. 2 rub. 50,000 copies (o) – signed for publication on February 21, 1944.
  • The Mystery of Professor Burago: [Novel]: Issue 1. – Abakan: Soviet Khakassia, 1945. – 72 p. 5 rub. 5,000 copies (O)
  • The Mystery of Professor Burago: [Novel]: Issue 2. – Abakan: Soviet Khakassia, 1945. – 73 p. 5 rub. 3,000 copies (O)
  • The Mystery of Professor Burago: [Novel]: Issue 3. – Abakan: Soviet Khakassia, 1945. – 78 p. 5 rub. 3,000 copies (O)
  • Nikolai Gastello: [A shortened version of the biographical story] / Art. K. K. Artseulov. – M.: Military Publishing House of the Armed Forces of the USSR Union, 1948. – 128 p. (O)
  • For Life: Tale / Binding by B. Nikiforov; Rice. V. Bogatkina. – M.: Young Guard, 1950. – 192 p. 15,000 copies (P)
  • Arsonists: Novel / Fiction. N. Tseytlin. – M.: Young Guard, 1949. – 904 p. 30,000 copies (P)
  • Arsonists: Novel / Fiction. N. Tseytlin. – M.: Military Publishing House of the Military Ministry of the USSR, 1950. – 924 p. 22 rub. 75,000 copies. (p) – signed for publication on June 2, 1950.
  • Arsonists: A Novel. – M.: Young Guard, 1950. – 932 p. 75,000 copies (P)
  • Arsonists: Novel / Binding by S. Pozharsky. – M.: Young Guard, 1950. – 936 p. 75,000 copies (P)
  • Arsonists: A Novel. – M.: Young Guard, 1950. – 816 p. 75,000 copies (P)
  • Arsonists: A Novel. – M.: Young Guard, 1950. – 652 p. (P)
  • The Conspirators: A Novel. – M.: Military Publishing House of the Military Ministry of the USSR, 1951. – 944 p. 75,000 copies (P)
  • Arsonists: A Novel. – M.: Young Guard, 1951. – 680 p. 30,000 copies (P)
  • Arsonists: A Novel. – Chelyabinsk: Book publishing house, 1951. – 680 p. (P)
  • The Conspirators: A Novel. – M.: Young Guard, 1951. – 800 p. 45,000 copies (O)
  • Arsonists: Novel / Fiction. I. Nikolaevtsev. – M.: Soviet writer, 1952. – 800 p. 75,000 copies (P)
  • Conspirators: Novel: in 2 books. Book 1. – M.: Young Guard, 1952. – 452 p. (P)
  • Conspirators: Novel: in 2 books. Book 2. – M.: Young Guard, 1952. – 648 p. (P)
  • Arsonists: A novel in 2 books. Book 1 / Fig. A. Vasina. – M.: Young Guard, 1953. – 544 p. 90,000 copies (P)
  • Arsonists: A novel in 2 books. Book 2 / Fig. A. Vasina. – M.: Young Guard, 1953. – 396 p. 90,000 copies (P)
  • Arsonists: Novel / Fiction. M. Fear. – Novosibirsk: Book publishing house, 1953. – 788 p. 75,000 copies (P)
  • Conspirators: A Novel: A novel in 2 books. Book 1 / Design by M. I. Tkachev. – Chelyabinsk: Book publishing house, 1953. – 408 p. 75,000 copies (P)
  • Conspirators: A Novel: A novel in 2 books. Book 2 / Design by M. I. Tkachev. – Chelyabinsk: Book publishing house, 1953. – 588 p. 75,000 copies (P)
  • The Conspirators: A Novel. – Novosibirsk: Book publishing house, 1954. – 1056 p. 75,000 copies (P)
  • It Was in the North: A Tale. – M.: Voenizdat, 1954. – 48 p. – (Library of the magazine “Soviet Warrior”, No. 21 (256)). (O)
  • Arsonists: A novel in 2 books. Book 1. – L.: Leningrad newspaper, magazine and book publishing house, 1955. – 540 p. 75,000 copies 8 rub. 60 k. (p)
  • Arsonists: A novel in 2 books. Book 2. – L.: Leningrad newspaper, magazine and book publishing house, 1955. – 420 p. 75,000 copies 6 rub. 85 k. (p)
  • Seekers of truth: [Stories] / Art. Yu. G. Makarov. – M.: Trudrezervizdat, 1955. – 288 p. – (Fiction, adventure). 4 rub. 45 k. 90,000 copies. (p) – signed for publication on 07/06/1955.
      On New Year's Eve - p.5-104 The Case of Ole Ansen - p.105-210 Personal Happiness of Neil Kruchinin: A Tale - p.211-286
  • Warm Hearts: [Collection] / Art. A. A. Lurie. – M: Trudrezervizdat, 1955. – 184 p. 4 rub. 35 k. 15,000 copies. (p) – signed for publication on July 2, 1954.
      Prokhor and his comrades
        Warm heart – p.5-9 Horsefly – p.9-18 Man with glasses – p.18-24 Musician – p.24-31 Wonderful violin – p.31-38
      Boy from Polesie: Biographical story – p.41-181
  • The Adventures of Neil Kruchinin: A Tale / Fiction. Yu. P. Rebrov. – M.: Trudrezervizdat, 1955. – 408 p. – (Library of military adventures). 5 rub. 35 k. (p) – signed for publication on December 30, 1955.
  • The Adventures of Neil Kruchinin: A Tale / Fiction. Yu. P. Rebrov. – M.: Trudrezervizdat, 1956. – 408 p. – (Library of military adventures). (P)
  • Seekers of truth: [Stories] / Art. Yu. G. Makarov. – M.: Trudrezervizdat, 1956. – 268 p. – (Fiction, adventure). 4 rub. 45 k. 90,000 copies. (p) – signed for publication on 07/06/1955.
      On New Year's Eve - p.5-94 The case of Ole Ansen - p.97-191 Personal happiness of Neil Kruchinin: A Tale - p.195-266
  • Messenger Jin Feng: A Tale / Fig. F. Zbarsky. – M.: Detgiz, 1955. – 112 p. 2 r. 65 k. 30,000 copies. (O)
  • The Sorcerer's Apprentice: Novel / Fiction. S. G. Brodsky. – M.: Voenizdat, 1956. – 520 p. – (Library of military adventures). The circulation is not specified. 9 rub. 40 k. (p) – signed for publication on December 17, 1956.
  • House by the Strait; Old notebook: [Stories] / Art. D. Groman. – M.: Young Guard, 1956. – 160 p. – (Science Fiction and Adventure Library). 90,000 copies (O)
      Little house by the strait – p.5-66
        House near the strait Jaeger Chuvel Watchman from the poppy plantation Gypsy and Levka
      Old notebook
        The Hunter of Svalbard Over the Pole Jimmy Knife Strike
  • Red Stone: Tales and Stories / Khul. A. A. Lurie. – M.: Soviet writer, 1957. – 560 p. 75,000 copies (P)
      Red stone – p.3-46 House by the strait – p.47-154 Messenger Jin Feng – p.155-252 Old notebook – p.253-338 From the adventures of Neil Kruchinin – p.339-556
  • War of the Invisibles: [Novel] / Fig. V. A. Noskova. – M.: Soviet Russia, 1958. – 488 p. 8 rub. 05 k. 225,000 copies. (p) – signed for publication on December 4, 1958.
  • Tales of the successes of great losers / Fig. A. Paramonova. – M.: State Publishing House of Children’s Literature of the Ministry of Education of the RSFSR: 1959. – 192 p. 4 rub. 40 k. 30,000 copies. (p) – signed for publication on November 3, 1958.
      The story of the suffering, life and immortality of bachelor Denis Papin – p.3-94 Garson from “The Single Parisian” – p.95-191
  • Red Stone: Tales and Stories / Art. A. Lurie and A. Paramonov. – Tashkent: State Publishing House of Fiction, 1961. – 676 p. 135,000 copies (P)
      Red stone – p. House by the Strait
        Black flies - p. Under the yellow sky - p. King of Vice and Sorrow - p. Huntsmen – p. Chuvel – s. The watchman from the poppy plantation - p. Gypsy and Lyovka - p.
      Old notebook
        Above the Pole - p. Hunter from Svalbard – p. Jimmy - s. Knife strike - p.
      From the adventures of Neil Kruchinin
        Ole Ansen case – p. “Bugbear” – p.
      The story of suffering, life and immortality of bachelor Denis Papin - p. Garcon from “The Single Parisian” - p.
  • Hurricane: [Novel] / Art. A. Belyukin. – M.: Young Guard, 1961. – 352 p. 77 kop. 115,000 copies (P)
  • The Last Safecracker: [Novel]. – M.: Kelvori, 1995. – 352 p. – (Russian detective story. 20th century). 50,000 copies (p) ISBN 5-85917-075-0
  • War of the Invisibles: Novel / Fiction. E. Dilskovskaya. – Voronezh: Foliot, 1995. – 432 p. 15,000 copies (n) ISBN 5-85515-019-4
  • First Strike: [Novels] / Fiction. V. Yurlov. – M.: Veche, 2006. – 384 p. – (Military adventures). 7,000 copies (n) ISBN 5-9533-1531-7
      Gennady Prashkevich
  • Sorcerer's Apprentice: [Novel]. – M.: Veche, 2007. – 576 p. – (Military adventures). 5,000 copies (n) ISBN 5-9533-1992-8
  • First Strike: [Novels] / Fiction. V. Yurlov. – M.: Veche, 2008. – 384 p. – (Military adventures). 5,000 copies (n) ISBN 5-9533-3102-9
      Gennady Prashkevich. “Learn from Shpanov!..”: [Preface] – p.3-12 The first blow – p.13-178 The adventures of Neil Kruchinin – p.179-380
        On New Year's Eve - p.181-250 The case of Ole Ansen - p.251-324 Personal happiness of Neil Kruchinin - p.324-380
  • War of the Invisibles: Island of Mists: [Novel] / Art. Yu. M. Yurov. – M.: Veche, 2009. – 288 p. – (Military adventures). 5,000 copies (n) ISBN 5-9533-4398-5
  • War of the “invisibles”: The last battle: [Novel] / Art. Yu. M. Yurov. – M.: Veche, 2009. – 336 p. – (Military adventures). 5,000 copies (n) ISBN 5-9533-4399-2
  • Red Stone: [Tales and Stories]. – M.: Veche, 2010. – 320 p. – (Military adventures). 6,000 copies (n) ISBN 5-9533-5233-8
      The last bugbear – p. From the adventures of Nil Kruchinin - p. Old notebook – p. Above the Pole - p. Hunter from Svalbard – p. Jimmy - s. Knife strike - p.
  • Warm Heart: [Collection]. – M.: Veche, 2011. – 336 p. – (Military adventures). 5,000 copies (n) ISBN 5-9533-5728-9
      House by the Strait
        Black flies – p.5-14 Under the yellow sky – p.15-29 King of vice and sorrow – p.30-67 Huntsmen – p.68-103 Chuvel – p.104-112 Watchman from the poppy plantation – p.113- 122 Gypsy and Lyovka – p.123-140
      Messenger Jin Feng – p.141-266 Warm heart
        Warm heart – p.269-274 Horsefly – p.275-285 Man with glasses – p.286-291 Musician – p.292-299 Point of view – p.300-308 Adjutant – p.309-313 Fifty infinities – p. .314-323 Wonderful violin – p.324-332
  • Land of Unavailability: A Novel / Cover by G. Myers. – Ekaterinburg: Tardis, 2011. – 124 p. – (Fantastic rarity). 900 copies (s.o.) ISBN 5-17-026354-4
  • Arsonists. Night of the Long Knives: [Novel]. – M.: Veche, 2012. – 384 p. – (Military adventures). 4,000 copies (n) ISBN 978-5-4444-0201-6
  • Arsonists. “No Pasaran”: [Novel]. – M.: Veche, 2012. – 416 p. – (Military adventures). 4,000 copies (n) ISBN 978-5-4444-0202-3
  • Arsonists. Munich Agreement: [Novel]. – M.: Veche, 2013. – 320 p. – (Military adventures). 3,000 copies (n) ISBN 978-5-4444-0617-5
  • Arsonists. Chain of Betrayals: [Novel]. – M.: Veche, 2013. – 288 p. – (Military adventures). 3,000 copies (n) ISBN 978-5-4444-0618-2
  • The Sorcerer's Apprentice: A Novel. – M.: Prestige-book, 2013. – 496 p. – (Retro Library of Adventure and Science Fiction). 3,000 copies (n) ISBN 978-5-9904029-3
  • Conspirators. Crime: [Novel]. – M.: Veche, 2014. – 480 p. – (Military adventures). 3,500 copies (n) ISBN 978-5-4444-2379-0
  • Conspirators. Before the reckoning: [Novel]. – M.: Veche, 2014. – 480 p. – (Military adventures). 3,500 copies (n) ISBN 978-5-4444-2433-9
  • Note to Anka: [Collection] / Art. Yu. M. Yurov. – M.: Veche, 2015. – 352 p. – (Military adventures). 3,000 copies (n) ISBN 978-5-4444-3371-3
      Ice and Tailcoats: A Novel – p.3-324 Note to Anka: A Story – p.325-348
  • Hurricane. Ghosts that return: Novel / Hood. Yu. M. Yurov. – M.: Veche, 2015. – 320 p. – (Military adventures). 3,000 copies (p) ISBN 978-5-4444-3945-6 – signed for publication on September 11, 2015.
      Book one. Ghosts that return – p.5-188 Book two. Golden Scorpion – p.189-317
  • Hurricane. When a gymnast breaks down: Novel and stories / Hood. Yu. M. Yurov. – M.: Veche, 2015. – 304 p. – (Military adventures). 3,000 copies (p) ISBN 978-5-4444-3947-0 – signed for publication on September 16, 2015.
      Book three. When a gymnast breaks down: [The final book of the novel “Hurricane”] – p.3-140 Stories
        Arctic foxes – p.141-176 “Our life is Samoyed...” – p.177-186 Mr. Engel’s deal – p.187-214 Steering life – p.215-221 A story about a bear hunt – p.222-253 Grönmalm’s campaign – p. .254-275 Ice and wings – p.276-292 Dispute – p.293-300
  • The Sorcerer's Apprentice: Novel / Cover by Ya. Krutiy; Rice. S. Ruben. – M.: Prestige Book, 2014. – 496 p. – (Soviet spy novel). 3,000 copies (o) ISBN 978-5-371-00419-2 – signed for publication on 05/06/2014.
Publications in periodicals and collections
  • Ice and Wings: A Fantastic Story // Airplane, 1925, No. 1 – pp. 17-20 – [Under the pseudonym “K. Kraspink"]
  • Schwartz: [Story] / Fig. N. Sokolova // Smena, 1926, No. 1 – pp. 4-5, 8
  • The Mystery of the Arctic: [Story] // Airplane, 1926, No. 5 – pp. 17-18, 29 – [Under the pseudonym “K. Kraspink"]
  • Mysterious Explosion: A Fantastic Story // World Pathfinder, 1925, No. 8 – pp. 13-16
      The same: Under the title “Note to Anke”: [Story] / Fig. G. Fitingof // Around the World (Leningrad), 1927, No. 9 – pp. 13-20 – [Under the pseudonym “K. Kraspink"; The story has been revised] The same: [Story] // If tomorrow there is war: Book One. – Ekaterinburg: Publishing house “Tardis”, 2014 – p.52-79
  • Lost in the Woods: Adventures of Russian Aeronauts: The Story of a Flight Participant / Drawings by artist. V. Golitsyn based on sketches by the author of the story // World Pathfinder, 1926, No. 12 – pp. 16-33
  • The price of a record: A story // World Pathfinder, 1927, No. 8 – p.593-606
      The same: Aeronautical story / Fig. E. Sterligova // Ural Pathfinder (Sverdlovsk), 1970, No. 7 – p.51-61
  • Where the eagle has not flown: A story // Around the world (Moscow), 1928, No. 23 – art. 358-360, 362
  • Sensational information: [Story] // Around the World (Moscow), 1929, No. 1 – pp. 13-15
      The same: [Story] / Preface. B. Lyapunova; Rice. V. Kovenatsky // Seeker, 1963, No. 2 – p.148-156
  • The number will not pass: Story / Fig. P. Alyakrinsky // Struggle of the Worlds, 1930, No. 4 – p.28-39
  • Land of Inaccessibility: A Fantasy Novel / Fig. N. Kochergina // Around the World (Moscow), 1930, No. 25-26 – pp. 388-393; No. 27 – p.408-410; No. 28-29 – p.428-432; No. 30 – p.448-451; No. 31 – p.464-468; No. 32-33 – pp. 488-495; No. 34 – p.512-515; No. 35-36 – p.532-536
  • Mr. Engel's deal: Story / Drawings. K. Kuznetsova // World Pathfinder, 1931, No. 3 (January) – p.10-12; No. 4 (February) – pp. 12-14; No. 5 (February) – pp. 11-13
  • Denis Papin: A Tale // Krasnaya Nov, 1934, No. 11 – p.128-177
  • The death of Safar: Chapters from the science fiction story “Twelve Hours of War” // Komsomolskaya Pravda, 1936, August 18 – p.
  • Duel: Chapters from the science fiction story “Twelve Hours of War” // Komsomolskaya Pravda, 1936, November 5 – p.
  • Twelve Hours of War: From the novel [“First Strike”] // Zvezda, 1937, No. 5 – p.52-90 – [This issue of the magazine was published in two editions, in the first of which the work of Nikolai Shpanov is present, and in the other in place works by N. Shpanov other works are included]
  • The second death of Jimmy (Recorded from the words of Michael O’Kearney): [Story] // Krasnaya Nov, 1937, No. 7 – p.157-161
      The same: Titled “The Second Death of Jimmy” // Wings of Spain: Essays and stories about the pilots of Republican Spain. – M.: Young Guard, 1938 – p.120-132
  • The first blow: The story of a future war // Znamya, 1939, No. 1 – pp. 14-122
  • The first blow (The Tale of a Future War): [Excerpt from the story] // Dawn of the East, 1939, February 23 (No. 44) – pp. 2-3
  • Tender old man: A story // Znamya (Moscow), 1940, No. 4-5 – p.
  • Return from reconnaissance: Excerpt from the story “Fighters” // Batumi worker (Batumi), 1941, May 16 (No. 113) – p.
  • Return from reconnaissance: Excerpt from the story “Fighters” // Soviet Abkhazia (Sukhumi), 1941, June 6 (No. 131) – p.
  • In the Champs Elysees: [Excerpt from the novel “The Big Parade”] // Znamya, 1941, No. 7-8 – p.
  • In Hitler’s dungeon: [Excerpt from the novel “The Big Parade”] // Batumi worker (Batumi), 1941, September 4 (No. 209) – p.
  • Fighters: Fragment of the story / Fig. E. Vedernikova // Airplane, 1941, No. 3 – p.28-32
  • Man with Glasses: [Story] // Ogonyok, 1941, No. 35 – p.11-12
  • Dispute: Story / Fig. E. Khomas // Ogonyok, 1942, No. 3 – p.11-12
  • Musician: Story // Ogonyok, 1942, No. 15 – p.11-12
  • Horsefly: [Story] // The Great Patriotic War: Collection No. 1. – M., 1942 – p.210-217
  • The Mystery of Professor Burago: [Tale] / Fig. G. Balashova // Red Army Soldier, 1942, No. 20 – pp. 22-24; No. 21 – pp. 23-24; No. 22 – pp. 22-24, No. 23 – pp. 21-23
  • Incident on the “Clarissa”: [Tale] // Red Army Man, 1943, No. 4 – pp. 22-24; No. 5-6 – pp. 22-24; No. 7 – pp. 22-24; No. 8 – p.22-23
  • Prisoners of the Island of Mists: [Part of a fantasy adventure novel] / Fig. E. Ausberg // Red Navy Man, 1943, No. 13-14 – p.29-41; No. 15 – p.34-41
  • War of the Invisibles: [Novel, parts 1 and 2] / Fig. L. Brodaty // Ogonyok, 1944, No. 1 – p.5-6,12; No. 2-3 – pp. 13-15; No. 4 – pp. 11-13; No. 5-6 – pp. 13-14; No. 7 – pp. 13-15; No. 8 – pp. 13-15; No. 9-10 – pp. 11-12; No. 11 – pp. 11-12; No. 12-13 – pp. 13-14; No. 14-15 – pp. 13-14; No. 16 – pp. 13-15; No. 17-18 – pp. 13-14 – [Publication interrupted]
  • A Bottle of Rum: [One-act play] / Co-authored. with Lev Rubinstein // On the offensive: Collection of poems and stories for amateur artists and the stage; Compiled by the Repertory Office of the All-Russian Theater Society. – M.-L.: Art, 1944 – p.54-75
  • The Secret of Three: A Tale / Fig. A. Shultz // Ogonyok, 1945, No. 34 – p.5-6, 14, No. 35 – p.9-10, No. 36 – p.12-14, No. 37 – p.13-14, No. 38 – p.8-10
  • The Adventures of Kruchinin: An Adventure Story / Fig. G. Balashova // Red Army Soldier, 1945, No. 11-12 – p.28-31, No. 13 – p.22-24, No. 14 – p.22-24, No. 15-16 – p.29-32
  • Yellow Gloves: An Adventure Story / Fig. G. Khrapaka // Red Armyman, 1946, No. 1 – p.20-22, No. 2 – p.21-23, No. 3-4 – p.28-30, No. 5-6 – p.29-31, No. 7-8 – p.29-31
  • Conspirators: [Excerpt from the novel] / Fig. G. Balashchova // Smena, 1950, No. 15 – pp. 10-12, No. 16 – pp. 11-12, 14
  • Messenger Jin Feng: Chapters from Book III of the novel “Arsonists” / Fig. G. Balashova // Smena, 1951, No. 6 – p.19-21, No. 7 – p.18-20, No. 8 – p.18-20, No. 9 – p.18-21, No. 10 – p. 18-20, No. 11 – pp. 17-18
  • Hurricane: Excerpt from the novel // Literature and Life, 1960, September 2 – p.
  • Yes or no?: An excerpt from the science fiction novel “Hurricane” / Fig. R. Avotina // Technology for Youth, 1960, No. 10 – p.20-23
  • Hurricane: [Chapters from the novel] / Fig. G. Khrapaka // Seeker, 1961, No. 1 – p.21-44
  • House by the Strait: [Tale] // Retribution. – Krasnoyarsk: Book publishing house, 1988 – p.
  • Little house by the strait: [Tale] // Duel. Issue 14. – M.: Moscow worker, 1988 – p.329-434
  • Jimmy (From the “Old Notebook”): [Story] // Duel. Issue 14. – M.: Moscow worker, 1988 – p.435-443
Journalism
  • About the car and Poshekhonye (Plan or lack of plan?) [in the management of road transport] // Planning Economy (Moscow), 1926, No. 5 – pp. 169-176
  • Flight to the Arctic: [Essay] // Krasnaya Niva, 1927, No. 18 – p.
  • N. Sh. Traveling bees: [Essay] // Around the World (Moscow), 1928, No. 9 – p.142-143 – [It is possible that this is Nikolai Shpanov]
  • The epic “Krasin”: Essay on a participant in the campaign / Fig. V. M. Golitsina // World Pathfinder, 1928, No. 10 – p.723-740, No. 11 – p.803-828, No. 12 – p.883-899
  • Pioneers of the air: [Essay] // Krasnaya Niva, 1928, No. 41 – p.
  • Into the polar ice beyond “Italy”: [Excerpt from the author’s book, published by “Young Guard”] // Young Guard, 1928, No. 11 – p.170-191, No. 12 – p.162-183
  • The epic “Country of Soviets”: Essay // World Pathfinder, 1929, No. 12 – p.951-954
  • Air tourism: Essay // World Tourist (Moscow), 1929, No. 2 – p.
  • Northern essays. I. Khalgol – Kumki Island: [Essay] // New World, 1930, No. 1 – p.185-202
  • On the New Land: [Essay] / Fig. You. Belyaeva // Young Guard, 1930, No. 3 – p.51-58
  • Northern essays. II. Deer's Blood: [Essay] // New World, 1930, No. 4 – p.120-133
  • The End of Denis Papin: Excerpts from the book “The Story of a Great Loser” / Fig. V. Shcheglova // Knowledge is power (Moscow), 1935, No. 6 – pp. 2-6, No. 7 – pp. 7-10
  • Review of the Red Army soldier's library // Znamya (Moscow), 1939, No. 3 – p.
  • On the banks of a distant river: From a hiking notebook // Zvezda (Leningrad), 1940, No. 1 – pp. 147-154
  • Prisoners: From a marching notebook // Znamya (Moscow), 1940, No. 3 – p.56-76
  • Pilots in battle: From a field notebook // Znamya (Moscow), 1940, No. 1 – p.
  • Page of a great life: [About the Bulgarian revolutionary G. M. Dimitrov] // Smena, 1949, No. 14 – pp. 2-4
  • Shedrick would like to answer...: [Article] // Smena, 1950, No. 18 – p.7
  • In the excited and passionate language of truth: [About the feature film “Emergency”] // Soviet culture, 1959, January 20 – p.
  • Unfading Flame: [Essay] // Twin Cities of Khalkhin Gol. – M.: Pravda, 1979 – p.
Other books
  • What the air promises us: Practical achievements and capabilities of military and civil aviation. – M.: ODVF, 1925. – 104 p. (O)
  • The airplane as a means of communication. – M.: ODVF, 1925. – 132 p. (O)
  • Our flight into the forest wilds. – M.: Publishing house of the Union Aviakhim of the USSR and Aviakhim of the RSFSR, 1926. – 48 p. 30 kopecks 3,000 copies (o) – [The following information is indicated on the cover: N. Shpanov “Flight into the wilds of the forest.” – M: Aviakhim Publishing House, 1926]
      I. Feldman. Second All-Union Aeronautical Competitions: [Preface] – p.3-9 I. Flight – p.10-24 II. Five days in the wilds of the forest – p.25-48
  • Water all-terrain vehicles: What is a glider and what is it for? – M., 1927
  • Water all-terrain vehicles: What is a glider and what is it for? – 2nd ed. – M., 1928
  • Soviet snowmobiles: What is a snowmobile and what are they for? – M., 1927
  • Soviet snowmobiles: What is a snowmobile and what are they for? – 2nd ed. – M., 1928
  • The heart of an aircraft: How an aircraft engine works and is designed. – M., 1927
  • Peaceful use of the air fleet and the air fleet in civil war. – M., 1928
  • What is aviation and what does it serve for? / Cover O. A. - M.: Osoaviakhim, 1928. - 80 p. + 28 drawings. – (Library of the Osoaviakhim cell “At the combat post”). 15,000 copies (O)
  • Polar expedition “Krasina” / Fig. V. Golitsyna. – M.: Peasant newspaper, 1929. – 32 p. – (Library of the magazine “Friendly Guys”). 10 kopecks 30,000 copies (O)
  • Into the ice behind “Italy” / Cover-engraving by N. P. Dmitrevsky. – M.-L.: Young Guard, 1929. – 224 p. – (Library of Expeditions and Travels). 2 r. 50 k. 5,000 copies. (P)
      B. G. Chukhnovsky. Introductory article – p.7-11 Into the ice beyond “Italy” – p.13-222 Appendices – p.223-224
  • To the land of eternal ice / Fig. V. Golitsyna. – M.: Peasant newspaper, 1929. – 32 p. – (Library of the magazine “Friendly Guys”). 10 kopecks 30,000 copies (O)
  • To the land of eternal ice / Fig. V. Golitsyna. – Second edition. – M.: Peasant newspaper, 1930. – 32 p. – (Library of the magazine “Friendly Guys”). 8 kopecks 30,000 copies (O)
  • Feat in the ice: [Description of the voyage of the icebreaker "Krasin"] / Cover by V. Golitsyn. – M.-L.: Young Guard, 1930. – 136 p. – (Library of Soviet Expeditions). 10,000 copies (O)
  • Airship at war. – M., 1930
  • Basics of air communications: A textbook for flight schools. – M.-L.: State Publishing House, 1930. – 368 p. 3,000 copies (P)
  • Across Automotive Trans-Eurasia: By car along the Ussuri off-road / Cover by V. O. Roskin. – M.: Joint-Stock Publishing House “Ogonyok”, 1930. – 48 p. – (Library “Behind the Wheel”, issue 15). 20 kopecks 25,000 copies (O)
  • Modern aviation engines: Technical reference book / Together with M. A. Dzigan and L. T. Sheremetev. – M.-L.: State Scientific and Technical Publishing House, 1931. – 492 p. (P)
  • To the land of eternal ice. – M.: Emes, 1932. – 32 p. 3,000 copies 20 kopecks
      Feat in the ice - p. Polar trek “Krasina” – p.
  • Why didn't we have an aviation industry? Why do we have it now? – [M.]: ONTI NKTP Gosmashmetizdat, 1933. – 36 p. 50 kopecks 10,000 copies (o) – signed for publication on August 16, 1933.
  • The birth of a motor. – M.-L.: ONTI NKTP State Energy Publishing House, 1934. – 220 p. 3 rub. 20,000 copies (s.o.)
  • The birth of a motor. – 2nd ed. – M.: ONTI NKTP State Energy Publishing House, 1935. – 220 p. (P)
      Preface by the author – p.3-10 Part 1. Denis Papin – p.11-54 Part 2. Jean Lenoir – p.55-115 Part 3. Nikolai Otto and Eugene Langen – p.116-219
  • The birth of a motor. – M.-L.: ONTI NKTP State Energy Publishing House, 1936. – 268 p. 3 rub. 20,000 copies (P)
  • James Watt (Life and Work): On the 200th Anniversary of his Birth / Ed. V. Dityakin. – M.-L.: ONTI, Publishing house of popular science and youth literature, 1936. – 168 p. 30,000 copies (P)
  • Diplomats of “Cloak and Dagger”: [Pamphlet] / Cover by B. Efimov. – M.: Young Guard, 1952. – 88 p. 100,000 copies (O)
  • James Watt. – M.: University Book, 2010. – 128 p. 300 copies (o) ISBN 978-5-9502-0473-9
Author's creativity
  • E. Tager. Review of N. Shpanov’s book “Ice and Tailcoats” (M., 1932) // Fiction, 1932, No. 1 – p.30-31
  • V. Virginsky. About the “creative methods” of N. N. Shpanov: [Research of various editions of N. Shpanov’s story about Denis Papin] // Children’s literature, 1937, No. 15 – pp. 21-27
  • Olga Grudtsova. A novel about the mystery of the birth of war: [Rec. based on the book by N. Shpanov “Arsonists” (M., 1949)] // Smena, 1949, No. 19 – p.14
  • A. Dymshits. Against warmongers: [Rec. based on the novel by N. Shpanov “Arsonists”] // Zvezda, 1950, No. 9 – p.180-182
  • N. Elkin. The Tale of Stalin’s Falcon: [About N. Shpanov’s book “Nikolai Gastello”] // Young Stalinist (Tbilisi), 1951, March 3 – p.
  • S. Voitinsky. Without knowledge of the matter: [Rec. based on N. Shpanov’s story “The Sorcerer’s Apprentice” (1949)] // Komsomolskaya Pravda, 1957, October 3 (No. 235) – p.4
  • A. Elkin. Where is the writer N. Shpanov going: [About the novel “War of the Invisibles”] // Komsomolskaya Pravda, 1959, March 21 (No. 68) – p.2
  • V. Druzhinin. Needs protection: [About adventure literature, incl. about N. Shpanov’s novel “The Sorcerer’s Apprentice”] // Literary newspaper, 1956, ...
  • Obituary // Literary newspaper, 1961, October 5 (No. 119) – p.4
  • Shpanov, Nikolai Nikolaevich // Soviet children's writers: Bio-bibliographic dictionary. M.: Detlitizdat, 1961 – p.
  • A. Rogach. A film calling for vigilance: [About the feature film “The General and the Daisies”: Script by N. Shpanov and A. Filimonov, director M. Chiaureli. Prod. “Georgia-film”] // Dawn of the East (Tbilisi), 1964, November 24 – p.
  • [About N. Shpanov’s book “The First Strike”] // A. Yakovlev. The purpose of life (Notes of an aircraft designer). – M.: Publishing House of Political Literature, 1967 – p.254-257
      The same: A. Yakovlev. The purpose of life (Notes of an aircraft designer). – M.: Publishing House of Political Literature, 1968 – p.265-268
  • Shpanov, Nikolai Nikolaevich // Russian Soviet prose writers: Biobibliographic index T.6, part 2. – M.: Soviet writer, 1969 – p.
  • Shpanov, Nikolai Nikolaevich // V. N. Antropov. Screenwriters of Soviet feature films, 1917-1967: Directory. – M.: Art, 1972 – p.420
  • V. N. Chuvanov. Shpanov, Nikolai Nikolaevich // Brief literary encyclopedia. In 9 volumes. T.8. – M.: Soviet Encyclopedia, 1975 – p.
  • [About the death of N. Shpanov] // Lev Kacher, Liliya Belyaeva. Special funeral at midnight: Notes of the “sad deeds of the master.” – M.: Polytext, 1991 – p.10
  • Vitaly Bugrov, Igor Khalymbadzha. Pre-war Soviet science fiction: Materials for bibliography // Search-92. – Ekaterinburg: Publishing House “Ural Pathfinder” – p.421
  • Shpanov, Nikolai Nikolaevich // Russian literature of the twentieth century: Prose writers, poets, playwrights: Bio-bibliographic dictionary: In 3 volumes. T.3. – M.: OLMA-Press Invest, 2005 – p.752-755
  • Vasily Tokarev. Soviet military utopia on the eve of World War II // Europe, 2006, volume 5, no. 1 – p.97-161
  • Gennady Prashkevich. Nikolai Nikolaevich Shpanov // G. Prashkevich. The Red Sphinx: The History of Russian Science Fiction: from V.F. Odoevsky to Boris Stern. – Novosibirsk: Publishing house. “Svinin and sons”, 2007 – p.290-303
      The same: G. Prashkevich. The Red Sphinx: The History of Russian Science Fiction: from V.F. Odoevsky to Boris Stern. – 2nd ed., rev. and additional – Novosibirsk: Publishing house. “Svinin and sons”, 2009 – p.354-370
  • Dmitry Bykov. Freshness: Nikolai Shpanov and his faith // Russian Life (Moscow), 2009, No. 7(46) – p.
  • Sergey Slavgorodsky. Stalinist dreamer from Ussuriysk: [About Nikolai Shpanov] // Morning of the East (Ussuriysk), 2009, November 27 (No. 6) – p.7
    • The same: Article about the fiction of Nikolai Shpanov // ARTEMIS-3: City literary almanac. – Artem: Publishing house “BSD-Group”, 2012 – p.291-294
  • D. Bykov. Freshness. Nikolai Shpanov (1896-1961) // Dmitry Bykov. Soviet literature. Advanced course. – M.: PROZAIK, 2014 – p.178-188
  • Dmitry Nikolaev. The first strike: A science fiction writer was blamed for the defeats of the summer of 1941: [The history of the creation of the book “The First Strike”, written by the Soviet writer N. N. Shpanov] // Top Secret, 2015, No. 21 (June) – pp. 12-14
Bibliography in Ukrainian
Selected editions
  • “Krasin” in the polar ice: Naris / Peredmovi by Stepan Rudnitsky and B. Chukhnovsky; Per. O. Matiychenka; Cover by V. Averina. – Kharkiv: Ukrainian Robotnik, 1929. – 220 p. 5,160 approx. (O)
  • Denis Papin: A story. – Kharkiv: Ukrainian Robotnik, 1935. – 156 p. – (History of the steam engine and engine). 1 crb. 70 kopecks 8,500 approx. (P)
  • Palii: Novel. – K., 1952. – 728 p.
Bibliography in other languages
Selected editions
  • Nikolai Španov and Lev Rubinstein. Pudel rummi (Bottle of rum) / Transl. E. Kosman, S. Rosenfeld. – Tallinn, RK “Ilukirjandus ja Kunst”, 1946. – 28 p. – (Rehvaloomingu Keskmaja toimetised). – 800 copies. (o) – [In Estonian]

 


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