“What a night! I can't ... "Sergey Yesenin

What a night! I can not.

I can't sleep. Such a moon.

Still as if on the shore

Lost youth in my soul.

A friend of cold years

Don't call the game love

Better this moonlight

It flows towards my head.

Let the distorted features

He outlines boldly, -

After all, you cannot stop loving,

How to love you failed.

You can only love once

That's why you're a stranger to me

That linden trees beckon us in vain,

Dipping my feet into the drifts.

After all, I know and you know

What's in this blue moonlight

There are no flowers on these linden trees -

There is snow and frost on these linden trees.

What we have fallen in love with long ago

You are not me, but I am the other,

And we both don't care

Play inexpensive love.

But all the same, caress and hug

In the crafty passion of a kiss

May the heart dream forever

And the one that I love forever.

Analysis of Yesenin's poem “What a night! I can not…"

In the last year of his life, Sergei Yesenin no longer hid his feelings and wrote openly about what ached in his soul. Probably for this reason, he was further and further removed from his colleagues, who, for the sake of the new government, glorified collectivization and advocated the building of socialism. Yesenin, on the other hand, was so far from all this that he repeatedly became the object of criticism. However, this did not bother him at all, because the poet had a presentiment of his imminent death. He understood that the destruction of the soul must be followed by physical death, and until that moment there is very little time left.

About a month before his death, Yesenin wrote a poem “What a night! I can't ... ”, in which he mentally returned to his past and suddenly realized that he could not change anything in his own life. He repeatedly tried to run away from himself and even got married a third time, trying to get rid of the oppressive feeling of loneliness. However, he very soon realized that his marriage to Sophia Tolstaya was a mistake. It is the relationship with this woman that the poem is dedicated to, in which the poet admits without concealment that “we fell in love for a long time, you are not me, but I am another”. He does not try to find an answer to the question why, then, at this very moment, he is next to a woman who is completely indifferent to him. But at the same time, he understands that the young wife does not need him at all, and her feigned tenderness is as deceptive and false as the linden trees outside the window, on the branches of which, instead of fragrant flowers, lies the first November snow.

“You can only love once, that's why you are a stranger to me,” the poet admits, but at the same time he cannot and does not want to force himself to break this vicious circle and change his own life. Yes, and Yesenin does not see any sense in doing this, believing that it is much easier and more accustomed to “play inexpensive love” than to try to truly love. And on this night, when the memories of his youth flooded over him again, the poet dreams of only one thing: “May my heart always dream of May and the one that I love forever”.

Who is this mysterious stranger? History is silent, although there are many versions about who exactly is the secret lady of the poet's heart. The fact that not one of their ex-wives belongs to them is obvious. Researchers of Yesenin's life and work are inclined to believe that this is about Anna Sardanovskaya, with whom the poet was in love in his youth, but he could not admit this to his chosen one. Subsequently, Sardanovskaya got married and died during childbirth, which Yesenin learned only a few years after her death.

What a night! I can not.
I can't sleep. Such a moon.
Still as if on the shore
Lost youth in my soul.

A friend of cold years
Don't call the game love
Better this moonlight
It flows towards my head.

Let the distorted features
He outlines boldly, -
After all, you cannot stop loving,
How to love you failed.

You can only love once
That's why you're a stranger to me
That linden trees beckon us in vain,
Dipping my feet into the drifts.

After all, I know and you know
What's in this blue moonlight
There are no flowers on these linden trees -
There is snow and frost on these linden trees.

What we have fallen in love with long ago
You are not me, but I am the other,
And we both don't care
Play inexpensive love.

But all the same, caress and hug
In the crafty passion of a kiss
May the heart dream forever
And the one that I love forever.

Analysis of the poem “What a night! I can't ... "Yesenina

The last years of Yesenin's life were marked by a profound mental crisis. The poet was painfully looking for a way out of this difficult situation. In an effort to isolate himself from problems, he found solace in alcohol and promiscuous love affairs. S. Tolstaya, the granddaughter of the great writer, could have become a real salvation for Yesenin. They met in early 1925. Tolstaya fell madly in love at first sight with the scandalous poet, who reciprocated her. Yesenin appreciated the attention and care with which the woman reacted to him. He hoped that with her help he could get rid of his addiction and finally find peace. But even living together and officially getting married did not change much. The poet's sober and fruitful way of life was interspersed with days of heavy drinking. After one of the most terrible in November 1925, under pressure from his wife and close friends, Yesenin went to a psychiatric clinic for treatment. In it, he wrote a poem “What a night! I can't ... ”, which is dedicated to S. Tolstoy. The poet suffers from insomnia and reflects on his feelings for his wife.

Contemporaries recalled that Tolstaya idolized the poet. Many dissuaded her from marriage, pointing out that Yesenin was already incorrigible. But she hoped for the strength of her love, which would bring them both happiness. In the poem, the poet addresses his last wife with very bitter and insulting words for her. He admits that this whole wedding idea from the very beginning was just a game. Yesenin knew how devoted the woman was to him. Therefore, he declares that she will no longer be able to stop loving him. At the same time, he considers her feeling to be unreal ("you failed to fall in love"). The poet expresses the idea that love for a person comes "only once" in life. His countless novels are already known. Tolstaya was also married at the time of meeting Yesenin.

The poet traditionally turns to images of nature. The couple created in their imaginations an illusory picture of a new spring associated with the May call of the lindens. But the "moonlight" dispelled this fantastic image, showing that there are "not flowers" on the linden trees, but just "snow and frost." Therefore, Yesenin calls his last love "inexpensive". Taking the hot caresses of his wife, he still turns to the past in his soul. In the finale, the poet hints that he is still devoted to his first and only love. He probably means A. Sardanovskaya.

“What a night! I can't ... "Sergey Yesenin

What a night! I can not.
I can't sleep. Such a moon.
Still as if on the shore
Lost youth in my soul.

A friend of cold years
Don't call the game love
Better this moonlight
It flows towards my head.

Let the distorted features
He outlines boldly, -
After all, you cannot stop loving,
How to love you failed.

You can only love once
That's why you're a stranger to me
That linden trees beckon us in vain,
Dipping my feet into the drifts.

After all, I know and you know
What's in this blue moonlight
There are no flowers on these linden trees -
There is snow and frost on these linden trees.

What we have fallen in love with long ago
You are not me, but I am the other,
And we both don't care
Play inexpensive love.

But all the same, caress and hug
In the crafty passion of a kiss
May the heart dream forever
And the one that I love forever.

Analysis of Yesenin's poem “What a night! I can not…"

In the last year of his life, Sergei Yesenin no longer hid his feelings and wrote openly about what ached in his soul. Probably for this reason, he was further and further removed from his colleagues, who, for the sake of the new government, glorified collectivization and advocated the building of socialism. Yesenin, on the other hand, was so far from all this that he repeatedly became the object of criticism. However, this did not bother him at all, because the poet had a presentiment of his imminent death. He understood that the destruction of the soul must be followed by physical death, and until that moment there is very little time left.

About a month before his death, Yesenin wrote a poem “What a night! I can't ... ”, in which he mentally returned to his past and suddenly realized that he could not change anything in his own life. He repeatedly tried to run away from himself and even got married a third time, trying to get rid of the oppressive feeling of loneliness. However, he very soon realized that his marriage to Sophia Tolstaya was a mistake. It is the relationship with this woman that the poem is dedicated to, in which the poet admits without concealment that “we fell in love for a long time, you are not me, but I am another”. He does not try to find an answer to the question why, then, at this very moment, he is next to a woman who is completely indifferent to him. But at the same time, he understands that the young wife does not need him at all, and her feigned tenderness is as deceptive and false as the linden trees outside the window, on the branches of which, instead of fragrant flowers, lies the first November snow.

“You can only love once, that's why you are a stranger to me,” the poet admits, but at the same time he cannot and does not want to force himself to break this vicious circle and change his own life. Yes, and Yesenin does not see any sense in doing this, believing that it is much easier and more accustomed to “play inexpensive love” than to try to truly love. And on this night, when the memories of his youth flooded over him again, the poet dreams of only one thing: “May my heart always dream of May and the one that I love forever”.

Who is this mysterious stranger? History is silent, although there are many versions about who exactly is the secret lady of the poet's heart. The fact that not one of their ex-wives belongs to them is obvious. Researchers of Yesenin's life and work are inclined to believe that this is about Anna Sardanovskaya, with whom the poet was in love in his youth, but he could not admit this to his chosen one. Subsequently, Sardanovskaya got married and died during childbirth, which Yesenin learned only a few years after her death.